Bøker av John Napier

This book is an edition of the mathematical works of John Napier, a Scottish mathematician who is best known for his development of logarithms. The edition was published by the Bannatyne Club, a Scottish literary society, in the mid-19th century, and includes Napier's treatise on logarithms, as well as other mathematical treatises and letters.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Intended for all readers--including magicians, detectives, musicians, orthopedic surgeons, and anthropologists--this book offers a thorough account of that most intriguing and most human of appendages: the hand. In this illustrated work, John Napier explores a wide range of absorbing subjects such as fingerprints, handedness, gestures, fossil remains, and the making and using of tools.

In Rajasthan, India, a caste of musicians and mendicants, the Nath-Jogis, sing stories of kings who renounce their thrones to become wandering mendicants. They also sing of a god, Mahadeva, Shiva, who must abandon his world-renouncing life and marry, thus establishing the very caste that tells his story. This is the first detailed ethnomusicological study of the music of this caste, examining how the existential questions of the sung stories--of the conflict between loyalty to families or communities and the transcending desire to renounce the material world--are articulated in musical performances in which the caste's own ethnography is inscribed. Discussing the relationship between the performed repertoire and the caste's identity, the contexts of performance and ways in which familiar stories are effectively retold, the book offers a transcription, translation and musical and ethnographic analysis of one performance, by Kishori Nath, and shows how the questions the performances project are not merely speculative acts of self-identification but also challenges to audiences to consider their own responses.