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In the vein of Bernard Goldberg's 100 PEOPLE WHO ARE SCREWING UP AMERICA, John Nichols delivers an urgent and necessary guide to the people who will have the power to really screw up America in the next four years.
A Collection of all the Wills Now Known to Be Extant, of the Kings and Queens of England, Princes and Princesses of Wales, and every Branch of the Blood Royal, from the Reign of William the Conqueror, to that of Henry the Seventh Exclusive: With Explanatory Notes and a Glossary "These wills of members of the English Royalty from William the Conqueror through Henry VII are in their original language and often have brief introductions, annotations and postscripts in English. With a Glossary and "Additional Observations and Corrections." These wills of members of the English Royalty from William the Conqueror through Henry VII are in their original language and often have brief introductions, annotations and postscripts in English. With a Glossary and "Additional Observations and Corrections.""This series of miscellaneous and different wills presents us with many curious particulars. We learn from them more of the manners and private life of our illustrious ancestors, some new facts in their public history, and several new descents in their pedigrees. The prospect of death sets their lives in a new point of light."--Preface, vJOHN NICHOLS [1745-1826], a London printer and publisher, was editor of the Gentleman's Magazine from 1788 until his death. His notable works include The Original Works of William King (1776) and British Topography (1780, with Richard Gough). He was a fellow of London's Society of Antiquaries and an honorary member of similar societies in Edinburgh and Perth.RICHARD GOUGH [1735-1809] was an eminent antiquarian. A regular correspondent of the Gentleman's Magazine, he was the author of numerous works including Sepulchral Monuments of Great Britain (1786) and an edition of Camden's Britannia (1789). Like Nichols, he was a fellow of London's Society of Antiquaries. He bequeathed his important library to Oxford's Bodleian Library.
The Oshkaabewis Native Journal is a interdisciplinary forum for significant contributions to knowledge about the Ojibwe language. All proceeds from the sale of this publication are used to defray the costs of production, and to support publications in the Ojibwe language. No royalty payments will be made to individuals involved in its creation.
The Oshkaabewis Native Journal is a interdisciplinary forum for significant contributions to knowledge about the Ojibwe language. All proceeds from the sale of this publication are used to defray the costs of production, and to support publications in the Ojibwe language. No royalty payments will be made to individuals involved in its creation.
The Oshkaabewis Native Journal is a interdisciplinary forum for significant contributions to knowledge about the Ojibwe language. All proceeds from the sale of this publication are used to defray the costs of production, and to support publications in the Ojibwe language. No royalty payments will be made to individuals involved in its creation.
The Oshkaabewis Native Journal is a interdisciplinary forum for significant contributions to knowledge about the Ojibwe language.
The Oshkaabewis Native Journal is a interdisciplinary forum for significant contributions to knowledge about the Ojibwe language.
This rousing critique sounds the alarm on how job automation, combined with stagnant capitalism, will generate unemployment and misery. The only solution is a renewal of democracy that lets citizens-not multinational corporations-chart the future.
In this nine-volume work, published between 1812 and 1815, the author and publisher John Nichols (1745-1826) provides biographical notes on publishers, writers and artists of the eighteenth century, and also gives 'an incidental view of the progress and advancement of literature in this kingdom during the last century'.
This three-volume work, published between 1808 and 1817, the last in the sequence of John Nichols' books on the painter and engraver William Hogarth, remains a useful source for art historians and anyone interested in the cultural life of the eighteenth century. Volume 2 contains a catalogue of Hogarth's works.
"A hilarious, sad . . . all too true novel about the rough underside of a college love affair."-John Knowles, author of A Separate Peace
At forty-eight, Bart Darling is about to perform a movie stunt that will in all likelihood kill him.
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