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This inaugural volume in the Studies in Irish Music Education series is the first publication to bring together a unique collection of papers by leading national and international authors with wide expertise and extensive experience in the field
This is interdisciplinary volume of essays contemplates whether 'music in Ireland' can be regarded as one interrelated plane of cultural and/or national identity, given the various conceptions and contexts of both Ireland and Music that give rise to multiple sites of identification. Arranged in interweaving sections of 'Historical Perspectives'.
Highlights how government organisations, musicians, academics and commercial companies are concerned with and seek to use a particular notion of Irish musical identity. This book illustrates how settings, genres, social groups and values can influence individual identifications or negations of Irishness in music.
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