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  • av John Painter
    479,-

    The Johannine Epistles are today read as an important part of the Johannine literature. Yet the meaning of the text is often unclear. Part of the problem arises because, although 1 John is called an Epistle, it lacks the formal marks of an Epistle. In 1, 2, and 3 John, John Painter illuminates the relationship 1, 2, and 3 John have to each.

  • - Rudolf Bultmann's Interpretation of the History of Jesus
    av John Painter
    1 895,-

  • - The Brother of Jesus in History and Tradition
    av John Painter
    1 250,-

    ''This is a book for which we have been waiting. James was obviously such an important figure in the beginnings of Christianity, and yet for the most part he remains in the shadows, playing at best an ambiguous role in comparison with Peter and Paul. Painter brings him out of these shadows, scrutinizing with great care each pieve of information and building up a picture which is much more positive than most have recognized. Thanks to Painter our appreciation of the tensions behind and within the New Testament will be much better informed. We are in his debt.'' James D. G. Dunn, University of Durham ''John Painter has brought to bear his considerable skills as historian, literary critic, and interpreter of ancient Christian documents to draw out of the mists a crucial figure from the beginnings of Christianity. Painter''s ability to approach biblical, Christian, Gnostic, and other sectarian documents in a fresh, and sometimes surprising, fashion has produced a significant contribution to the understanding of Christianity''s earliest days, and the ways in which early traditions interpreted the Christian church''s foundations. A stimulating and important book.'' Francis J. Moloney, S.D.B, Catholic University of America

  • av John Painter
    393,-

    Two respected New Testament scholars expose theological meaning in James and Jude by tracing the use of rhetorical strategies from the ancient cultural and educational context.

  • av John Painter
    612 - 2 147,-

    This work shows how the rhetorical and dramatic shaping of Mark's gospel emphasizes the conflict of good and evil at many levels. It also looks at the social context of the gospel, which Painter argues to be that of the Pauline mission to the nations.

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