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The editor and forger John Payne Collier (1789-1883) claimed to have discovered a Second Folio of Shakespeare which had been 'corrected' in a mid-seventeenth-century hand. He published this catalogue of the emendations, including his commentary on them, in 1852. Collier then presented the so-called 'Perkins Folio' to the Duke of Devonshire, whose successor allowed it to be loaned in 1859 to the British Museum, where a thorough examination exposed it as a forgery. A storm of controversy followed and three of the key documents in the debate, all published in 1860, are also reissued here: 'An Inquiry into the Genuineness of the Manuscript Corrections in Mr. J. Payne Collier's Annotated Shakspere Folio, 1632' by Nicholas Hamilton (d.1915), assistant keeper of manuscripts at the British Museum; Collier's attempt to refute Hamilton's findings; and 'A Review of the Present State of the Shakespearian Controversy' by Thomas Duffus Hardy (1804-78).
A chronicle of the "life," times, and travels of the famous puppets, this survey examines Punch and Judy's moral and cultural significance as well as the people who played them behind the curtain. Scholarly yet entertaining, it includes 30 illustrations by Victorian artist George Cruikshank, Dickens' illustrator of choice.
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