Bøker av John Sallis

This volume makes Kant accessible to students, while the most advanced scholars will profit from it.

Presents an enigmatic discourse in the history of philosophy. Plato's discourse on the chora forms the pivotal moment in the Timaeus. This book undertakes a reinterpretation of the entire dialogue oriented to the chorology. It unsettles the traditional reading of the famous passage on time as the moving image of eternity.

Issued in conjunction with the exhibition of the same name held at the McMullen Museum of Art, February 5-June 3, 2018.

Takes up the various guises and settings in which stone appears. This work is attentive not only to what certain philosophers such as Hegel and Heidegger have said of beauty and of stone, but also to what they have written on their travels to the Alps, to the great cathedrals of Europe, or to the temples of Greece.

John Sallis dismantles the traditional conception of nature in this book of imagination and the cosmos. In the thought of Emerson, Hegel, and Schelling, Sallis discerns the seeds of an understanding of nature that goes against the modern technological assault on natural things and opens a space for a revitalized approach to the world. He identifies two fundamental reorientations that philosophical thought is called on to address today: the turn to the elemental in nature and the turn from nature to the cosmos at large. He traces the elusive course of the imagination, as if coming from nowhere, and describes the way in which it bears on the relation of humans to nature. Sallis's account demonstrates that a renewal of our understanding of nature is one of the prime imperatives we demand from philosophy today.

What is the effect of light as it measures the seasons? How does light leave different traces on the terrain-on a Pacific Island, in the Aegean Sea, high in the Alps, or in the forest? John Sallis considers the expansiveness of nature and the range of human vision in essays about the effect of light and luminosity on place. Sallis writes movingly of nature and the elements, employing an enormous range of philosophical, geographical, and historical knowledge. Paintings and drawings by Alejandro A. Vallega illuminate the text, accentuating the interaction between light and environment.

Includes contributions by scholars working in the phenomenological tradition, together with English translations of texts and documents whose phenomenological relevance transcends their considerable historical significance.

Presents an examination of three sites in Derrida's thought: his interpretation of Heidegger regarding the privileging of the question; his account of the Platonic figure of the good; and his interpretation of Plato's discourse on the crucial notion of the chora, the originating space of the universe.

Develops a framework for thinking about art through innovative readings of some of the most important philosophical writing on the subject by Kant, Hegel, and Heidegger. This title exposes fresh layers in their texts and theories while also marking their limits.