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In this fascinating biography, John Tulloch explores the life and ideas of the 17th century philosopher Blaise Pascal. Tracing the development of Pascal's thought from his early mathematical work to his later religious writings, this book offers a compelling portrait of a brilliant and enigmatic thinker.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The first memoir from one of the victims of the 7 July London bombings,l combining the emotional impact of The Diving Bell and the Butterfly with the political passion of the work of Noam Chomsky (Hegemony or Survival)
Watching Television Audiences offers a comprehensive introduction to the current state of research into TV audiences. It provides students and academics not only with an understanding of the theory but also of the different methodologies used to research different types of audience.
This book examines how people respond to, experience and think about risk. The authors stress the need to take into account the cultural dimensions of risk and risk-taking and consider the influence that gender, social class, ethnicity, sexual orientation, occupation, geographical location and nationality have on our perceptions of risk
Views television drama from a cultural studies perspective, examining the active agency of both viewers and media practitioners. Tulloch looks at genres such as soap opera, science fiction, sitcoms and police series.
In his outstanding career, Trevor Griffiths has negotiated the issues of genre, politics, identity, class, history, memory and televisual form with a sustained creativity and integrity second to none. -- .
A look at the strengths and weaknesses of cultural studies, providing a blend of performance and risk theory. It explores the need to erase the separation of "high" and "popular" culture studies, starting from the thesis that cultural studies has been too pre-occupied with popular culture.
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