Bøker av John Williams

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AN ANTHOLOGY FROM THE AUTHOR OF STONERPoetry in English as we know it was largely invented in England between the early 1500s and 1630, and yet for many years the poetry of the era was considered little more than a run-up to Shakespeare. The twentieth century brought a reevaluation, and the English Renaissance has since come to be recognized as the period of extraordinary poetic experimentation that it was. Never since have the possibilities of poetic form and, especially, poetic voice—from the sublime to the scandalous and slangy—been so various and inviting. This is poetry that speaks directly across the centuries to the renaissance of poetic exploration in our own time.John Williams’s celebrated anthology includes not only some of the most famous poems by some of the most famous poets of the English language (Sir Thomas Wyatt, John Donne, and of course Shakespeare) but also-—-and this is what makes Williams’s book such a rare and rich resource—the strikingly original work of little-known masters like George Gascoigne and Fulke Greville.

This book develops a conceptual model of legitimacy as a value-judgement in international relations in contrast to Weberian and legal approaches.

This is not only the story of the difficulties of being a single-parent to a boy with autism, but also an insight into the joy that comes from being a dad and seeing the world differently.

Long before their western counterparts, Chinese astronomers developed remarkably accurate methods for making their measurements, recording detailed observations since ancient times. Of particular interest to John Williams (1797-1874), assistant secretary to the Royal Astronomical Society, were Chinese observations of comets. Noting that previous translations of these records had been incomplete, Williams sought to produce a fuller catalogue. The present work, published in 1871, presents Chinese comet observations between 611 BCE and 1640 CE, using the encyclopaedia of Ma Duanlin and the great historical Shiji as major references. Williams provides useful context in his introductory remarks, mentioning the tests by which the accuracy of the Chinese records can be verified. He also includes chronological tables and a Chinese celestial atlas, enabling comparison between the Chinese and Western systems for dates and stars respectively.

This work examines the game of football, asking what makes it so popular, and examining the diversity of its players, supporters and institutions throughout the world. It also investigates how the game reinforces or overcomes social differences, and looks at subcultures like football hooliganism.

John Williams and four other mediaeval scholars challenge conventional wisdom on biblical illustration, and find it to be an enterprise guided in its genesis by the dynamics of a new culture. They argue that illustrated Bibles were shaped by ad hoc decisions resulting in a variety of approaches.

Manston had its origins in the RN Seaplane Station, Westgate, later expanded for landplane operations. The first unit at Manston was 3 Wing RNAS that moved from Detling in April 1916. Together with RNAS Eastchurch, Manston's War Flight of Triplanes, Camels and Pups patrolled the coast. After WWI, Manston expanded and to become a training station.

Covering a wide range of the poetry, John Williams discusses the critical issues that have dominated discussions of Wordsworth's work, from the end of the 18th century up to 2002.

This volume offers a selection of criticism from Geoffrey Hartman's work of the mid 1960s through Marxist, historicist, structuralist and post-structuralist readings, all of which reflect the implications of the cultural and political changes in the course of the late 18th and 19th centuries.

Much of Mary Shelley's life reads like a compilation of some of the most lurid and sensationalist novels of her time. After the stormy years of her relationship with Percy Shelley, Mary went on to raise her one surviving son on her own, never sure of the loyalty of friends, threatened and intimidated by her dead husband's father.