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Published posthumously in 1925, Suspense is set in Genoa in early 1815. This edition of Conrad's last novel, established through modern textual scholarship, presents the text in a form more authoritative than any so far printed. The introduction situates the novel in Conrad's career and traces its sources and contemporary reception. The explanatory notes explain literary and historical references, identify real-life places and indicate Conrad's main research materials. A glossary of foreign words and phrases enriches the explanatory matter, as do four illustrations and a map. A notebook of Conrad's research for the novel and deleted drafts are published here for the first time. The essay on the text and apparatus lay out the history of the work's composition and publication and detail interventions in the text by Richard Curle, who, as Conrad's de facto literary executor, saw the novel into print, along with typists, compositors and editors.
Bringing together work composed from 1890 to 1924, the nineteen pieces collected in the posthumously published Last Essays (1926) serve as a primer to Conrad's wide interests and to the varieties of his style. This edition, supported by an extensive textual apparatus, brings together various prose pieces, including reminiscences, reviews, essays on the sea and politics, as well as several miscellaneous items, including his 'Congo Diary' and the other notebook he kept in Africa in 1890. The introduction situates these writings in Conrad's career, offers new perspectives on Conrad in the marketplace and as a writer of occasional prose and traces the contemporary reception of the volume. The notes explain literary and historical references, identify real-life places and indicate Conrad's main sources. Early drafts and notes for several essays are published here for the first time, making this authoritative critical edition a major contribution to Conrad studies.
'Youth', Heart of Darkness and 'The End of the Tether' make up Conrad's most celebrated collection of short narratives. Heart of Darkness forms its sombre centrepiece: set in the Congo of the 1890s, this haunting and widely influential Modernist masterpiece explores the limits of human experience as well as the nightmarish realities and consequences of imperialism. The Cambridge edition presents this trio of stories and Conrad's preface to the collection in forms more authoritative than any so far published. The introduction situates the stories in Conrad's publishing career, traces their sources and surveys contemporary reception. The edition includes detailed explanatory and contextual notes, a glossary of nautical terms, maps and illustrations. A textual essay and comprehensive apparatus reveal the history of each story's composition, revision and publication. This volume will allow scholars to see these familiar stories in a fresh light, by returning to Conrad's original texts.
`The reaches opened before us and closed behind, as if the forest had stepped leisurely across the water to bar the way for our return. We penetrated deeper and deeper into the heart of darkness.' At the peak of European Imperialism, steamboat captain Charles Marlow travels deep into the African Congo on his way to relieve the elusive Mr Kurtz, an ivory trader renowned for his fearsome reputation. On his journey into the unknown Marlow takes a terrifying trip into his own subconscious, overwhelmed by his menacing, perilous and horrifying surroundings. The landscape and the people he meets force him to reflect on human nature and society, and in turn Conrad writes revealingly about the dangers of imperialism.
This deeply atmospheric rendering of ConradâEUR(TM)s classic dees colonial trader, Marlow, recount his journey into the heart of Africa and his discovery of Kurtz, a company manager rumoured to have gone mad. As the details of Kurtz's dealings with the natives and his state of mind unfold, the lines between perception and interpretation of madness begin to blur. Continuing SelfMadeHero's acclaimed Eye Classics series, Heart of Darkness is revived for a new generation in a format perfect for the graphic novel genre.
One of Joseph Conrad's greatest novels, Lord Jim brilliantly combines adventure and analysis. Haunted by the memory of a moment of lost nerve during a disastrous voyage, Jim submits to condemnation by a Court of Inquiry. In the wake of his disgrace he travels to the exotic region of Patusan, and as the agent at this remote trading post comes to be revered as 'Tuan Jim.' Here he finds a measure of serenity and respect within himself. However, when a gang of thieves arrives on the island, the memory of his earlier disgrace comes again to the fore, and his relationship with the people of the island is jeopardized. This new Broadview edition is based on the first British edition of 1900, which provides the historical basis for the accompanying critical and contextual discussions. The appendices include a wide variety of Conrad's source material, documents concerning the scandal of the Jeddah, along with other materials such as a substantial selection of early critical comments.
The day I met him, however, something was troubling him greatly. He began to speak as soon as he saw me. Even though I had arrived at the camp after walking 35 kilometres that day, he did not even invite me to sit down. 'The situation', he told me, 'is very serious. The up-river stations must be relieved. We cannot wait'.
Together with The Mirror of the Sea, Joseph Conrad's A Personal Record (1911) is one of his two openly autobiographical books.
One of the greatest political novels in any language, Nostromo enacts the establishment of modern capitalism in a remote South American province locked between the Andes and the Pacific. This edition offers new insights into Conrad's masterpiece.
In these four stories, written between 1900 and 1902, Joseph Conrad bid gradual farewell to his adventurous life at sea and began to confront the more daunting complexities of life on land in the twentieth century. In 'Typhoon' Conrad reveals, in the steadfast courage of an undemonstrative captain and the imaginative readiness of his young first mate, the differences between instinct and intelligence in a partnership vital to human survival. 'Falk', the companion sea-story, contrasts, as Conrad once put it, 'common sentimentalism with the frank standpoint of a more or less primitive man', a man with a conscience, however, about the girl he desires. In one of the 'land-stories' Conrad explores the utter isolation of an East European emigrant in England; in the other, the plight of a woman ironically trapped by the unwitting alliance of two retired widowers - each blind in his own way.
Chance was Conrad's most popular book. It tells the story of Flora de Barral, the abandoned daughter of a bankrupt tycoon, who struggles to achieve dignity and happiness. The revised edition features a new text (the English first edition), revised notes, and a new bibliography and chronology.
Serialized in Ford Madox Ford's English Review in 1908-9, A Personal Record (1912) both documents and fictionalizes Conrad's early life and the opening stages of his careers as a writer and as a seaman. It is also an artistic and political manifesto. This volume provides the most accurate and scholarly edition available. Mistakes introduced by typists and earlier publishers have been corrected to present the text as Conrad intended it. The introduction traces Conrad's sources and gives the history of writing and reception. The essay on the text and the apparatus set out the textual history. The notes explain literary and historical references, identify places, and gloss foreign terms. Four maps and a genealogical table supplement this explanatory material. This edition of A Personal Record, established through modern textual scholarship, presents Conrad's reminiscences and the volume's two prefaces in forms more authoritative than any so far printed.
WITH AN INTRODUCTION BY TIM BUTCHERThe silence of the jungle is broken only by the ominous sound of drumming. But his decision to hunt down the mysterious Mr Kurtz, an ivory trader who is the subject of sinister rumours, leads him into more than just physical peril.
This compact novel, completed in 1900, as with so many of the great novels of the time, is at its baseline a book of the sea. An English boy in a simple town has dreams bigger than the outdoors and embarks at an early age into the sailor's life. The waters he travels reward him with the ability to explore the human spirit, while Joseph Conrad launches the story into both an exercise of his technical prowess and a delicately crafted picture of a character who reaches the status of a literary hero.
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Classic / British EnglishResting one night on a boat on the River Thames, Charlie Marlow tells his friends about his experiences as a steamboat captain on the River Congo. There, in the heart of Africa, his search for the extraordinary Mr Kurtz caused him to question his own nature and values and the nature and values of his society.
Under Western Eyes traces the experiences of Razumov, a young Russian student caught up in the aftermath of a terrorist bombing. It deals with topical moral issues such r s1he defensibility of terrorist resistance to tyranny and the loss of individual privacy in a surveillance society. This new edition uses the English first edition text and has a new bibliography and chronology.
The four tales in this volume share autobiographical origins in Conrad's experience at sea and his exile from Poland. They vividly present Conrad's preoccupation with the theme of solidarity, challenged from without by the elements and from within by human doubts and fears. This revised edition uses the English first edition texts and has a new chronology and bibliography.
'It was I who removed de P- this morning.' With these chilling words Victor Haldin shatters the solitary, industrious existence of Razumov, his fellow student at St Petersburg University. Razumov aims to overcome the denial of his noble birth by a brilliant career in the tsarist bureaucracy created by Peter the Great. But in pre-revolutionary Russia Peter's legacy is autocracy tempered by assassination; and Razumov is soon caught in a tragic web with Haldin's trustful sister Natalia in spy-haunted Geneva. Their fateful story is told by an elderly Englishman who loves Natalia but plays his part of a 'dense Westerner' to the end.
Lord Jim is a book about courage and cowardice, self-knowledge and personal growth, in the exotic setting of post-colonial Patusan, a remote Malay settlement. This new edition uses the first English edition text and includes a new introduction and notes by leading Conrad scholar Jacques Berthoud, glossaries, and an appendix on Conrad's sources and reading.
'Heart of Darkness' is Conrad's finest tale and tells of Marlow's journey up the Congo River to meet Mr Kurtz. This volume also includes 'An Outpost of Progress', 'Karain', and 'Youth' in a revised edition using the English first edition texts and with new chronology and bibliography.
Mr Verloc, the secret agent, is involved in an anarchist plot to blow up the Greenwich Observatory which goes disastrously wrong. Based on the text which Conrad's first English readers enjoyed, this new edition includes a critical introduction which describes Conrad's great London novel as the realization of a 'monstrous town', a place of idiocy, madness, criminality, and butchery.
In these three sea stories, based on his own experience, Conrad invests his portraits of mundane steamers and their crews with epic qualities of fortitude and courage in the face of overwhelming natural odds.
This Norton Critical Edition provides the most authoritative text of Lord Jim yet published; it is based on the definitive third English edition, collated with the periodical version that appeared in Blackwood's Magazine and with the first English edition.
3et in the Malay Archipelago, where Conrad spent much of his youth as an officer in the British Merchant Navy, VICTORY is a sombre yet brilliant study of good and evil in Conrad's mature manner.
Written in 1915, The Shadow-Line is based upon events and experiences from twenty-seven years earlier, to which Conrad returned obsessively in his fiction. A young sea-captain faces a succession of crises on his first command, for which he feels himself responsible. The novel is a work full of 'sudden passions', as well as a penetrating analysis of the nature of manhood.
Nostromo, published in 1904, is one of Conrad's finest works. Nostromo -- though one hundred years old -- says as much about today's Latin America as any of the finest recent accounts of that region's turbulent political life. Insistently dramatic in its storytelling, spectacular in its recreation of the subtropical landscape, this picture of an insurrectionary society and the opportunities it provides for moral corruption gleams on every page with its author's dry, undeceived, impeccable intelligence.
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