Bøker av Joseph Conrad

These selected letters taken from the Cambridge edition illuminate Conrad's significance as the Polish-speaking child of political exiles, a deckhand who worked his way up to captain, and one of the major writers of the late nineteenth and early twentieth centuries.

Set in eastern Borneo during the 1880s, Almayer's Folley recreates the conflicts of imperial Europe with the colonised East Indies through Joseph Conrad's story of Kaspar Almayer's personal tragedy: his loss of both his daughter of mixed race to her native lover and his dream of finding enough gold to return to Amsterdam in triumph. The introduction gives the history of the composition over almost five years as Conrad went to the Congo, Australia, the Ukraine, Belgium, Switzerland, and France as a seaman and on holiday. The novel has suffered seven layers of unauthorised intervention by typists and publishers, as set out in the essay on the text and the apparatus. The notes explain Malay terms and historical references, and there are two regional maps. This is the text of Almayer's Folley, established through modern textual scholarship, as Conrad would have like it to have appeared in 1895.

Marlow, a seaman, tells of a journey up the Congo. His goal is the troubled European and ivory trader Kurtz. Worshipped and feared by invaders as well as natives, Kurtz has become a godlike figure, his presence pervading the jungle like a thick, obscuring mist.

Set in the tumultuous political world of Tsarist repression and revolutionary intrigue in St Petersburg and Geneva, Under Western Eyes (1911) renders with searing intensity the psychological torment of its Russian protagonist, a university student who, in betraying another, has betrayed himself. Based upon a comparison of the existing manuscript and other materials, this scholarly and first extensively annotated edition of Joseph Conrad's great novel Under Western Eyes differs from all previous printings by more accurately reflecting Conrad's writing process. The reading text is supported by new scholarly materials that are the result of fifteen years of investigation: essays on the textual and biographical history of the novel, extensive notes, appendices and maps, as well as a full listing of the thousands of textual variants in the early forms of the novel, including the 18,000 words that Conrad himself deleted.

Since its first appearance in Blackwood's Edinburgh Magazine in 1899 and 1900, Lord Jim (1900) has been acclaimed as a modernist masterwork. Its narrative innovations and psychological complexity make it one of the most influential fictions written in the twentieth century and it has challenged and stimulated generations of readers as well as writers on and of fiction. This edition, established through modern textual scholarship, presents Conrad's novel and its preface in a form more authoritative than any so far printed. The Introduction situates the novel in Conrad's career and traces its sources and contemporary reception. The explanatory notes identify literary and historical references and real-life places and indicate Conrad's main influences. Glossaries, maps and illustrations are provided for further context, as well as a new transcription of 'Tuan Jim: A Sketch', a partial draft of the novel, and appearing in print for the first time, Conrad's contract for the book.

The Secret Agent (1907) is a compelling tale of espionage and terrorism set in Edwardian London. Ironically subtitled 'A Simple Tale', it paints a terrifying portrait of revolutionaries and anarchists whose personal lives are as barren and futile as their public acts of violence. It concludes with the unwitting accomplice of a would-be terrorist blowing himself to bits with his own bomb, the terrorist's subsequent murder by his own wife, and the wife's own suicide. This new edition is based on a painstaking comparison of the original manuscript of the work with its first, truncated appearance in the American magazine Ridgeway's: A Militant Weekly for God and Country, and with all subsequent book-form publications overseen by Conrad himself. The result is a new text, purged of the printers' errors and editorial interventions that have been reproduced in all previous printings. There is also a critical introduction, an essay on the text, a textual apparatus, and helpful explanatory notes.

Published posthumously in 1925, Suspense is set in Genoa in early 1815. This edition of Conrad's last novel, established through modern textual scholarship, presents the text in a form more authoritative than any so far printed. The introduction situates the novel in Conrad's career and traces its sources and contemporary reception. The explanatory notes explain literary and historical references, identify real-life places and indicate Conrad's main research materials. A glossary of foreign words and phrases enriches the explanatory matter, as do four illustrations and a map. A notebook of Conrad's research for the novel and deleted drafts are published here for the first time. The essay on the text and apparatus lay out the history of the work's composition and publication and detail interventions in the text by Richard Curle, who, as Conrad's de facto literary executor, saw the novel into print, along with typists, compositors and editors.

Bringing together work composed from 1890 to 1924, the nineteen pieces collected in the posthumously published Last Essays (1926) serve as a primer to Conrad's wide interests and to the varieties of his style. This edition, supported by an extensive textual apparatus, brings together various prose pieces, including reminiscences, reviews, essays on the sea and politics, as well as several miscellaneous items, including his 'Congo Diary' and the other notebook he kept in Africa in 1890. The introduction situates these writings in Conrad's career, offers new perspectives on Conrad in the marketplace and as a writer of occasional prose and traces the contemporary reception of the volume. The notes explain literary and historical references, identify real-life places and indicate Conrad's main sources. Early drafts and notes for several essays are published here for the first time, making this authoritative critical edition a major contribution to Conrad studies.

'Youth', Heart of Darkness and 'The End of the Tether' make up Conrad's most celebrated collection of short narratives. Heart of Darkness forms its sombre centrepiece: set in the Congo of the 1890s, this haunting and widely influential Modernist masterpiece explores the limits of human experience as well as the nightmarish realities and consequences of imperialism. The Cambridge edition presents this trio of stories and Conrad's preface to the collection in forms more authoritative than any so far published. The introduction situates the stories in Conrad's publishing career, traces their sources and surveys contemporary reception. The edition includes detailed explanatory and contextual notes, a glossary of nautical terms, maps and illustrations. A textual essay and comprehensive apparatus reveal the history of each story's composition, revision and publication. This volume will allow scholars to see these familiar stories in a fresh light, by returning to Conrad's original texts.

`The reaches opened before us and closed behind, as if the forest had stepped leisurely across the water to bar the way for our return. We penetrated deeper and deeper into the heart of darkness.' At the peak of European Imperialism, steamboat captain Charles Marlow travels deep into the African Congo on his way to relieve the elusive Mr Kurtz, an ivory trader renowned for his fearsome reputation. On his journey into the unknown Marlow takes a terrifying trip into his own subconscious, overwhelmed by his menacing, perilous and horrifying surroundings. The landscape and the people he meets force him to reflect on human nature and society, and in turn Conrad writes revealingly about the dangers of imperialism.

This deeply atmospheric rendering of ConradâEUR(TM)s classic dees colonial trader, Marlow, recount his journey into the heart of Africa and his discovery of Kurtz, a company manager rumoured to have gone mad. As the details of Kurtz's dealings with the natives and his state of mind unfold, the lines between perception and interpretation of madness begin to blur. Continuing SelfMadeHero's acclaimed Eye Classics series, Heart of Darkness is revived for a new generation in a format perfect for the graphic novel genre.

One of Joseph Conrad's greatest novels, Lord Jim brilliantly combines adventure and analysis. Haunted by the memory of a moment of lost nerve during a disastrous voyage, Jim submits to condemnation by a Court of Inquiry. In the wake of his disgrace he travels to the exotic region of Patusan, and as the agent at this remote trading post comes to be revered as 'Tuan Jim.' Here he finds a measure of serenity and respect within himself. However, when a gang of thieves arrives on the island, the memory of his earlier disgrace comes again to the fore, and his relationship with the people of the island is jeopardized. This new Broadview edition is based on the first British edition of 1900, which provides the historical basis for the accompanying critical and contextual discussions. The appendices include a wide variety of Conrad's source material, documents concerning the scandal of the Jeddah, along with other materials such as a substantial selection of early critical comments.

The day I met him, however, something was troubling him greatly. He began to speak as soon as he saw me. Even though I had arrived at the camp after walking 35 kilometres that day, he did not even invite me to sit down. 'The situation', he told me, 'is very serious. The up-river stations must be relieved. We cannot wait'.

Together with The Mirror of the Sea, Joseph Conrad's A Personal Record (1911) is one of his two openly autobiographical books.

One of the greatest political novels in any language, Nostromo enacts the establishment of modern capitalism in a remote South American province locked between the Andes and the Pacific. This edition offers new insights into Conrad's masterpiece.

In these four stories, written between 1900 and 1902, Joseph Conrad bid gradual farewell to his adventurous life at sea and began to confront the more daunting complexities of life on land in the twentieth century. In 'Typhoon' Conrad reveals, in the steadfast courage of an undemonstrative captain and the imaginative readiness of his young first mate, the differences between instinct and intelligence in a partnership vital to human survival. 'Falk', the companion sea-story, contrasts, as Conrad once put it, 'common sentimentalism with the frank standpoint of a more or less primitive man', a man with a conscience, however, about the girl he desires. In one of the 'land-stories' Conrad explores the utter isolation of an East European emigrant in England; in the other, the plight of a woman ironically trapped by the unwitting alliance of two retired widowers - each blind in his own way.

Word count 19,160

Chance was Conrad's most popular book. It tells the story of Flora de Barral, the abandoned daughter of a bankrupt tycoon, who struggles to achieve dignity and happiness. The revised edition features a new text (the English first edition), revised notes, and a new bibliography and chronology.

WITH AN INTRODUCTION BY TIM BUTCHERThe silence of the jungle is broken only by the ominous sound of drumming. But his decision to hunt down the mysterious Mr Kurtz, an ivory trader who is the subject of sinister rumours, leads him into more than just physical peril.

This compact novel, completed in 1900, as with so many of the great novels of the time, is at its baseline a book of the sea. An English boy in a simple town has dreams bigger than the outdoors and embarks at an early age into the sailor's life. The waters he travels reward him with the ability to explore the human spirit, while Joseph Conrad launches the story into both an exercise of his technical prowess and a delicately crafted picture of a character who reaches the status of a literary hero.

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Classic / British EnglishResting one night on a boat on the River Thames, Charlie Marlow tells his friends about his experiences as a steamboat captain on the River Congo. There, in the heart of Africa, his search for the extraordinary Mr Kurtz caused him to question his own nature and values and the nature and values of his society.