Bøker av Joseph Conrad

"Nostromo" is a novel by Polish-British author Joseph Conrad. Set in the fictional South American country of Costaguana, the story follows the lives of a group of individuals caught up in the tumultuous politics and economic struggles of the region. The main character of the novel is Nostromo, an Italian sailor who becomes a trusted and respected figure in the town of Sulaco, which serves as the center of the region's silver mining industry. As the story unfolds, Nostromo becomes embroiled in a web of corruption, betrayal, and violence, as various factions vie for control of the region's resources. Will he ever get out of corruption and violence? "Nostromo" is widely regarded as one of Conrad's greatest works, and has been praised for its intricate plotting, complex characters, and masterful prose. The book has been adapted into various forms, including a radio drama and a TV mini-series, and continues to be celebrated for its timeless themes.

A young sailor is unexpectedly made captain of a ship with a mysterious past and sails out confidently, only to face a crisis beyond anything he could have imagined. As he struggles to sail the vessel past a ghostly "shadow-line" at sea, the tragic figure of the previous captain looms in the crew's minds and a deadly illness rips through the ship. One of Conrad's later works, The Shadow-Line is a suspenseful nautical tale that hauntingly captures the painful transition from youth to maturity and the terrifying reality of life at sea.

When Charles Marlow travels to Africa to serve as steamboat pilot for an ivory-trading company, he learns he is to rendezvous with Kurtz, a trading-post agent held in high regard. But the deeper Marlow penetrates into the jungle, the grimmer the assessments of Kurtz become. Described by Conrad himself as "something quite on another plane than an anecdote of a man who went mad in the Centre of Africa," Heart of Darkness has long been regarded as a powerful appraisal of the fragility of civilization and the consequences of imperialism. This collection includes another five of Conrad's incomparable tales of adventure, including "The Secret Sharer," "Youth," and "Typhoon."

Originally published serially as a three-part story, Heart of Darkness is a short but thematically complex novel exploring colonialism, humanity, and what constitutes a savage society. Set in the Congo in Central Africa, the tale is told in the frame of the recollections of one Charles Marlow, a captain of an ivory steamer. Marlow¿s search for the mysterious and powerful ¿first-class agent¿ Kurtz gives way to a nuanced and powerful commentary on the horrors of colonialism, called by some the most analyzed work at university-level instruction.

From the author of Heart of Darkness : A condemned British seaman on the run from a grievous mistake in his past may find redemption in the Far East.A young British seaman, Jim lands a major opportunity when he becomes first mate on the Patna, a ship transporting Muslim pilgrims to Mecca for the hajj. But when disaster strikes at sea, Jim and the rest of the crew abandon the ship and its passengers. While his crewmates evade trial, Jim must face the court and is punished for his dereliction of duty.Depressed and tortured by his conscience over his act of cowardice, and stripped of his navigation officer's certificate by the court, Jim travels east to avoid further scandal. His sea captain friend, Charles Marlow, helps him find work and settle in the remote island kingdom of Patusan, where the natives come to revere him. But as Jim slowly develops a measure of serenity and respect within himself, a looming danger may jeopardize the new life he has built.An adventurous tale of tragedy and redemption, Lord Jim is considered one of the greatest works by the author of Typhoon and The Secret Agent.

Joseph Conrad's novel Chance was published in 1913. It is narrated by Charles Marlow and other narrators, and it is unique among the author's works in that it places a strong emphasis on a female character: Flora de Barral. The narrators try to interpret various events in Miss de Barral's life, the daughter of a convicted swindler named Smith de Barral. When her father is released from prison, he joins them on the ship, and the novel reaches its conclusion. The plot alternates between human will and purposeful activity and an opposing "apathetic" force that dismisses the significance of human action.

Heart of Darkness, Joseph Conrad's haunting masterpiece, is a harrowing journey into the depths of the human soul and the dark underbelly of colonialism. The story follows the enigmatic Marlow as he embarks on a treacherous voyage up the Congo River in search of the elusive Mr. Kurtz, an ivory trader whose brutal methods and enigmatic persona have earned him a near-mythical status among the native inhabitants.As Marlow delves deeper into the heart of the African continent, Conrad skillfully unveils a world rife with greed, exploitation, and unspeakable horrors, shedding light on the brutal realities of European colonialism and the darkness that lies within the human spirit. The novel's chilling exploration of the thin line between civilization and savagery, coupled with Conrad's evocative prose, creates an atmosphere of suspense and unease that lingers long after the final page is turned.Heart of Darkness is a gripping, thought-provoking tale that challenges the reader to confront the horrors of human nature and the insidious effects of imperialism. This timeless classic continues to resonate with audiences today, offering a chilling examination of the darkness that lies beneath the veneer of civilization and the haunting legacy of colonialism that continues to shape our world.

Venture into the shadowy world of espionage, political intrigue, and moral ambiguity in Joseph Conrad's gripping novel, ""The Secret Agent."" Set in the seedy underbelly of late Victorian London, this suspenseful tale follows the story of Verloc, a secret agent entangled in a web of deceit, as he becomes embroiled in a plot to blow up the Greenwich Observatory, an act of terror intended to spark a revolution.As Verloc navigates the treacherous world of anarchists, spies, and double agents, Conrad masterfully explores the complexities of loyalty, betrayal, and the often-blurred line between good and evil. Rich in atmosphere and psychological depth, ""The Secret Agent"" delves into the darkest corners of the human heart, revealing the profound impact of deception, manipulation, and moral compromise on both the individual and society as a whole.Immerse yourself in the thrilling and unsettling world of ""The Secret Agent,"" and experience the masterful storytelling, unforgettable characters, and penetrating insight that have made this novel a timeless exploration of the human condition. Join Verloc on his dangerous mission and witness the devastating consequences of a life lived in the shadows, where the price of loyalty may be far greater than one could ever imagine.

Le Nègre du "Narcisse" by Joseph Conrad a été considéré comme un travail important tout au long de l'histoire humaine, et afin de garantir que ce travail ne soit jamais perdu, nous avons pris des mesures pour assurer sa préservation en republiant ce livre dans un format contemporain pour les générations actuelles et futures. Ce livre entier a été retapé, remanié et reformaté. Étant donné que ces livres ne sont pas fabriqués à partir de copies numérisées, le texte est lisible et clair.

Delve into the haunting depths of the human soul with Joseph Conrad's timeless masterpiece, "Heart of Darkness." Set against the backdrop of the African Congo during the era of colonialism, this gripping novella takes readers on a harrowing journey of self-discovery and moral reckoning. Follow the enigmatic Charles Marlow as he embarks on a treacherous expedition up the mysterious Congo River in search of the elusive ivory trader Kurtz. As Marlow navigates the treacherous waters, he encounters the savage realities of imperialism, the blurred boundaries between civilization and savagery, and the profound darkness that lurks within the human heart. With Conrad's evocative prose and haunting imagery, "Heart of Darkness" explores themes of power, corruption, and the profound struggle between light and darkness. A profoundly introspective tale that confronts the very essence of humanity, this classic work continues to resonate with readers, provoking questions about the nature of morality, the weight of our choices, and the depths of our souls. Prepare to embark on an unforgettable journey into the heart of darkness, where truth, enlightenment, and the struggle for the human soul intertwine in a mesmerizing exploration of the human condition.

Lord Jim, has been considered important throughout human history. In an effort to ensure that this work is never lost, we have taken steps to secure its preservation by republishing this book in a modern format for both current and future generations. This complete book has been retyped, redesigned, and reformatted. Since these books are not scans of the authors' original publications, the text is readable and clear.

Después de entrar, al amanecer, en la dársena interior del puerto de Tolón, y una vez que intercambió a voz en grito unos saludos con uno de los botes de ronda de la flota, que le dirigió hasta el punto de anclaje, el artillero mayor Peyrol largó el ancla del arruinado buque a su cargo entre el arsenal y la ciudad, en plena perspectiva del muelle principal. El curso de su vida, que a cualquier persona le hubiera parecido llena de incidentes maravillosos (sólo que a él jamás le maravillaron), le había hecho tan reservado que ni siquiera dejó escapar un suspiro de alivio ante el estruendo de la cadena. Y, sin embargo, así concluían seis esforzados meses de errática travesía a bordo de un casco averiado, cargado de valiosa mercadería, casi siempre escaso de comida, siempre a la espera de los cruceros ingleses, una o dos veces al borde del naufragio y más de una al filo del abordaje. Pero en cuanto a este último, el viejo Peyrol había decidido al respecto, y desde el primer momento, hacer saltar su valiosa carga por los aires, sin que tal decisión representara para él perturbación alguna de su espíritu, forjado bajo el sol de los mares de la India en desaforados litigios con gentes de su ralea por un pequeño botín que se desvanecía tan pronto se cobraba, o, más aún, por la simple supervivencia, casi igualmente incierta en sus altibajos, a lo largo de los cincuenta y ocho ajetreados años que ahora contaba.

Mr. Verloc, al salir por la mañana, dejaba su negocio nominalmente a cargo de su cuñado. Podía hacerlo porque había poco movimiento a cualquier hora y prácticamente ninguno antes de la noche. Mr. Verloc se preocupaba bien poco por su actividad visible y, además, era su mujer quien quedaba a cargo de su cuñado. El negocio era pequeño y también lo era la casa. Era una de esas casas sucias, de ladrillo, de las que había gran cantidad antes de la época de reconstrucción que se abatió sobre Londres. El negocio era cuadrado, con una vidriera al frente, dividida en pequeños paneles rectangulares. Durante el día la puerta permanecía cerrada; por la noche se mantenía discreta y sospechosamente entreabierta. En la ventana había fotografías de bailarinas más o menos desvestidas; paquetes varios envueltos como si fueran específicos medicinales, envases cerrados de papel amarillo, muy delgado, marcados con el precio de media corona en grandes cifras negras; unos cuantos números de publicaciones cómicas francesas, colgados de una cuerda como para secarse, un deslustrado recipiente de porcelana azul, una cajita de madera negra, botellas de tinta para marcar y sellos de goma; unos pocos libros con títulos que sugerían poco decoro, unos pocos números de diarios aparentemente viejos y mal impresos, con títulos como La Antorcha, El Gong: títulos vehementes. Los dos mecheros de gas, dentro de sus pantallas de vidrio, siempre tenían la llama baja, ya fuera por economía o por consideración a los clientes.

La Nellie, un bergantín de considerable tonelaje, se inclinó hacia el ancla sin una sola vibración de las velas y permaneció inmóvil. El flujo de la marea había terminado, casi no soplaba viento y, como había que seguir río abajo, lo único que quedaba por hacer era detenerse y esperar el cambio de la marea. El estuario del Támesis se prolongaba frente a nosotros como el comienzo de un interminable camino de agua. A lo lejos el cielo y el mar se unían sin ninguna interferencia, y en el espacio luminoso las velas curtidas de los navíos que subían con la marea parecían racimos encendidos de lonas agudamente triangulares, en los que resplandecían las botavaras barnizadas. La bruma que se extendía por las orillas del río se deslizaba hacia el mar y allí se desvanecía suavemente. La oscuridad se cernía sobre Gravesend, y más lejos aún, parecía condensarse en una lúgubre capa que envolvía la ciudad más grande y poderosa del universo. El director de las compañías era a la vez nuestro capitán y nuestro anfitrión. Nosotros cuatro observábamos con afecto su espalda mientras, de pie en la proa, contemplaba el mar. En todo el río no se veía nada que tuviera la mitad de su aspecto marino. Parecía un piloto, que para un hombre de mar es la personificación de todo aquello en que puede confiar. Era difícil comprender que su oficio no se encontrara allí, en aquel estuario luminoso, sino atrás, en la ciudad cubierta por la niebla.

Por regla general, no suele hacernos falta que nos animen en demasía para hablar de nosotros mismos; sin embargo, este librito es resultado de una sugerencia amistosa, e incluso de una cierta presión por lo demás también amistosa. Me defendí con algún denuedo, si bien, con su característica tenacidad, la voz del amigo no cejó en su empeño: «No sé si se da usted cuenta, pero la verdad es que debe usted¿». No fue una discusión; no es ése un argumento de peso, pero lo cierto es que cedí de inmediato. ¡Si de veras uno debe¿ no queda más remedio! La fuerza de una palabra es algo que se percibe de inmediato. Quien desee persuadir ha de confiarse no al argumento adecuado, sino a la palabra idónea. Siempre ha sido mayor el poder del sonido que el poder del sentido. Y no lo digo con desdén. Es preferible que la humanidad sea impresionable antes que reflexiva. Nada que sea verdaderamente grande en el sentido en que lo es lo humano ¿grande de veras, es decir, susceptible de afectar a un gran número de vidas¿ procede de la reflexión. Por otra parte, es imposible no captar el poder de las palabras, palabras tales como Gloria, por ejemplo, o Piedad. No mencionaré ninguna más. No hace falta irse muy lejos a buscarlas. Pronunciadas a voz en cuello y con perseverancia, con ardor, con convicción, estas dos por sí solas, y sobre todo por su simple sonido, han puesto en marcha a naciones enteras y han levantado el suelo duro y reseco sobre el que descansan los cimientos de todo nuestro entramado social. ¡He ahí «virtud» para el que quierä! Hay que prestar suma atención al acento, por descontado. Hay que dar con el acento justo. Eso es de suma importancia. El pulmón ancho y capaz, las cuerdas vocales que atronan o que resuenan con ternura. Que no me vengan a mí con el cuento de la palanca de Arquímedes, quien por cierto era un personaje distraído y dotado de una imaginación si acaso matemática. Las matemáticas merecen todo mi respeto, pero nunca he sido yo de mucha ni poca utilidad cuando se trata de motores. Dadme un cambio de la palabra precisa, dadme el acento indicado y moveré el mundo.

Since the beginning of time, sound has had more power than sense. Mankind should be more impressionable than reflective. Of course, the accent needs to be corrected. the large lung, the resonant, or the delicate vocal cords. He wrote down ideas, proverbs, and musings on ivory tablets, which fate has preserved for posterity. This is more of a private concern, affecting the individual who created the work, and maybe hinted at in a book when a private remark is written in the margin of a public page. No artist can be blamed for being afraid to take a risk that only fools race to take and only geniuses dare to take on without consequence. If the outward manifestation of feeling does not change, it will inevitably fade into disdain or contempt. Even at the expense of success, having a sense of decency is simply having a sense of one's own dignity, which is inextricably linked to the dignity of one's profession. All objectives are acceptable, with the exception of those that capitalize on human suffering or credulity. Ambitions in the arts and sciences are acceptable, even when they go above and beyond the bounds of cautious sanity. Even worse for the artist if they are insane. It's not insane to strive to go further.

The newest addition to the widely-acclaimed Cambridge Edition of the Works of Joseph Conrad, this edition offers scholars for the first time an authoritative text of Nostromo, free from the interference of typists, compositors and editors, and features a thorough introduction and informative textual essay.

Notes on Life & Letters, has been regarded as significant work throughout human history, and in order to ensure that this work is never lost, we have taken steps to ensure its preservation by republishing this book in a contemporary format for both current and future generations. This entire book has been retyped, redesigned, and reformatted. Since these books are not made from scanned copies, the text is readable and clear.

Notes on My Books, has been regarded as significant work throughout human history, and in order to ensure that this work is never lost, we have taken steps to ensure its preservation by republishing this book in a contemporary format for both current and future generations. This entire book has been retyped, redesigned, and reformatted. Since these books are not made from scanned copies, the text is readable and clear.

The Nigger of the ""Narcissus"" A Tale of the Forecastle[a] (sometimes subtitled A Tale of the Sea), first published in the United States as The Children of the Sea, is an 1897 novella by Polish-British novelist Joseph Conrad. The central character is an Afro-Caribbean man who is ill at sea while aboard the trading ship Narcissus heading towards London. Controversy around the use of the word nigger in the title saw the US name changed in 1897 and a 2009 version titled The N-Word of the Narcissus. Because of the novella's superb quality compared to Conrad's earlier works, some critics have described it as marking the start of Conrad's major or middle period, others have placed it as the best work of his early period.

Henry Whalley is a true sailor, earning years of experience as a ship's captain before his retirement. Faced with unexpected financial problems and a desire to help his married daughter earn her place in the world, Whalley is forced to sell his boat and buy his way back into service on a trade vessel. But Whalley is living so close to financial ruin that any small deviation from his course will put him The End of the Tether is one of the many books that author Joseph Conrad wrote about sailors and the sea. Using his own personal experiences as a merchant marine as the foundation for his writing, Conrad produced some of the most realistic sea tales of the nineteenth century.

A Personal Record is an autobiographical work (or ""fragment of biography"") by Joseph Conrad, published in 1912.It has also been published under the titles A Personal Record: Some Reminiscences and Some Reminiscences.Notoriously unreliable and digressive in structure, it is nonetheless the principal contemporary source for information about the author's life.[citation needed] It tells about his schooling in Russian Poland, his sailing in Marseille, the influence of his uncle Tadeusz Bobrowski, and the writing of Almayer's Folly.It provides a glimpse of how Conrad wished to be seen by his British public, as well as being an atmospheric work of art.[citation needed]The ""Familiar Preface"" Conrad wrote for it includes the often quoted lines.""Those who read me know my conviction that the world, the temporal world, rests on a few very simple ideas; so simple that they must be as old as the hills. It rests notably, among others, on the idea of Fidelity.""Conrad wrote a new 'Author's Note' to A Personal Record for the Doubleday collected edition of his works in which he discussed his friendship with the British colonial official and writer Hugh Clifford.

The Rover is the last complete novel by Joseph Conrad, written between 1921 and 1922. It was first published in 1923, and adapted into the 1967 film of the same name.The story takes place in the south of France, against the backdrop of the French Revolution, Napoleon's rise to power, and the French-English rivalry in the Mediterranean. Peyrol (a master-gunner in the French republican navy, pirate, and for nearly fifty years ""rover of the outer seas"") attempts to find refuge in an isolated farmhouse (Escampobar) on the Giens Peninsula near Hyères.The story is about Peyrol's attempt at withdrawal from an action- and blood-filled life; his involvement with the pariahs of Escampobar; the struggle for his identity and allegiance, which is resolved in his last voyage.

The six stories in this volume are the result of some three or four years of occasional work. The dates of their writing are far apart, their origins are various. None of them are connected directly with personal experiences. In all of them the facts are inherently true, by which I mean that they are not only possible but that they have actually happened. For instance, the last story in the volume, the one I call Pathetic, whose first title is Il Conde (misspelt by-the-by) is an almost verbatim transcript of the tale told me by a very charming old gentleman whom I met in Italy. I don't mean to say it is only thatAnybody can see that it is something more than a verbatim report, but where he left off and where I began must be left to the acute discrimination of the reader who may be interested in the problem.

Those who read me know my conviction that the world, the temporal world, rests on a few very simple ideas; so simple that they must be as old as the hills. It rests notably, amongst others, on the idea of Fidelity - Joseph ConradWritten at various times, under various influences, the four stories contained in Within the Tides are linked by Conrad's treatment of loyalty and betrayal. They range in setting from the Far East via eighteenth-century Spain to England. The tone shifts from the tragic inevitability of The Planter of Malata and the pathos of Because of the Dollars to the gothic The Inn of the Two Witches and the grim humour of The Partner. The form of the stories was experimental but does not obscure Conrad's humanity or his search for moral truth.

Amy Foster"" is a short story by Joseph Conrad. Conrad's story, told in a realist style, is deeply infused with irony and symbolism. The bay looms behind the quiet life of the village in the first lines of the story, representing the presence of the rest of the world that the townspeople cannot quite keep out. Conrad, heavily influenced by the adventure tale, uses the expected outlines of the story of a castaway washed up in a new land to tell a much darker, ironic story.Conrad's own history as a Polish immigrant to this area of England clearly influenced "Amy Foster," which highlights failures of communication between people of different ethnicities and between men and women, as well as concerns about the author's ability to communicate with his audience.