Bøker av Joseph Marryat

This beautifully illustrated volume traces the history of pottery and porcelain from ancient times to the present day. It covers the development of ceramic technology, the influence of various cultures on the art of pottery, and the evolution of styles and designs over the centuries. It is a must-have for collectors and enthusiasts of ceramic art.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Joseph Marryat (1757-1824) was an M.P., chairman of Lloyd's and colonial agent for Grenada. This volume contains three of his pamphlets - Thoughts on the Abolition of the Slave Trade (1816), More Thoughts (1816) and More Thoughts Still (1818) which replied to his critics. The first pamphlet was very controversial, running to four editions in the year of publication. It vigorously attacks the policies and influence of the African Institution, whose arguments regarding the operation of slavery since the Abolition Act of 1807 he proves, by using evidence from official British and colonial government reports, to contain many falsehoods. Marryat believed that, with regard to emancipation, lessons must be learned from the French Revolution: ideals, if taken too quickly to extremes, cause national and even international conflict. His critics accused him of equal economy with the truth by selective use of source material: his responses were also best-sellers.

This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. We have represented this book in the same form as it was first published. Hence any marks seen are left intentionally to preserve its true nature.