Bøker av Joseph Pennell

Les affiches étrangères illustrées / par MM. M. Bauwens, T. Hayashi, La Forgue, Meier-Graefe, J. Pennell...Date de l'édition originale: 1897Sujet de l'ouvrage: Affiches, généralités, 1897Le présent ouvrage s'inscrit dans une politique de conservation patrimoniale des ouvrages de la littérature Française mise en place avec la BNF.HACHETTE LIVRE et la BNF proposent ainsi un catalogue de titres indisponibles, la BNF ayant numérisé ces oeuvres et HACHETTE LIVRE les imprimant à la demande.Certains de ces ouvrages reflètent des courants de pensée caractéristiques de leur époque, mais qui seraient aujourd'hui jugés condamnables.Ils n'en appartiennent pas moins à l'histoire des idées en France et sont susceptibles de présenter un intérêt scientifique ou historique.Le sens de notre démarche éditoriale consiste ainsi à permettre l'accès à ces oeuvres sans pour autant que nous en cautionnions en aucune façon le contenu.Pour plus d'informations, rendez-vous sur www.hachettebnf.fr

Drawn between January and March 1912, Pennell, who was afraid that he had arrived in Panama too late to get the pictures he wanted, found instead that the construction was exactly at the right stage. As his world-famous lithographs show, "industry at the Canal was on a colossal scale. The locks were yawning gulfs, their stupendous arches and buttresses not yet hidden as they would be once the water was let in." Joseph Pennell was born in 1857 and died in 1926. He began his work as an illustrator by selling drawings of south Philadelphia to Scribner's Monthly in 1881. In addition to his extensive sketches of American cities, he went to the Panama Canal and sketched a number of construction sites. He taught etching at the Arts Students' league in New York, wrote several books, served as an art critic on the Brooklyn Eagle, and helped run the New Society of Sculptors, Painters & Engravers. Pennell is considered to have done more than any other one artist of his time to improve the quality of illustration both in the United States and abroad and to raise its status as an art. He produced more than 900 etched and mezzotint plates, some 621 lithographs, and innumerable drawings and water colors.

CONTENTSWhat is Illustration?The Equipment of the IllustratorMethods of Drawing for Reproduction in LineThe Reproduction of Line DrawingsThe Making of Wash Drawings and their Reproduction by Mechanical ProcessReproduction of Drawings by Wood EngravingLithographyEtchingThe Printing of EtchingsPhotogravure and Photo-Lithography, etc.Making Ready for the Printing Press

A study of the work of the great etchers and the technical processes involved in the making of an etching, with superb examples from Rembrandt, Legros, Durer, Blake, Meryon, Goya, Rops, Whistler and others.Joseph Pennell was born in 1857 and died in 1926. He began his work as an illustrator by selling drawings of south Philadelphia to Scribner's Monthly in 1881. In addition to his extensive sketches of American cities, he went to the Panama Canal and sketched a number of construction sites. He taught etching at the Arts Students' league in New York, wrote several books, served as an art critic on the Brooklyn Eagle, and helped run the New Society of Sculptors, Painters & Engravers.Pennell is considered to have done more than any other one artist of his time to improve the quality of illustration both in the United States and abroad and to raise its status as an art. He produced more than 900 etched and mezzotint plates, some 621 lithographs, and innumerable drawings and water colors.

Joseph Pennell was born in 1857 and died in 1926. He began his work as an illustrator by selling drawings of south Philadelphia to Scribner's Monthly in 1881. In addition to his extensive sketches of American cities, he went to the Panama Canal and sketched a number of construction sites. He taught etching at the Arts Students' league in New York, wrote several books, served as an art critic on the Brooklyn Eagle, and helped run the New Society of Sculptors, Painters and Engravers.Pennell is considered to have done more than any other one artist of his time to improve the quality of illustration both in the United States and abroad and to raise its status as an art. He produced more than 900 etched and mezzotint plates, some 621 lithographs, and innumerable drawings and water colors.