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  • av Joseph Warren Beach
    272,-

    An analysis of the writing style of the English author Thomas Hardy, with a focus on his use of language, symbolism, and literary devices.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

  • av Joseph Warren Beach
    416,-

    This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

  • av Joseph Warren Beach
    272 - 416,-

  • - Symbolism in Poetry of the 1930's and 1940's
    av Joseph Warren Beach
    1 309,-

  • av Joseph Warren Beach
    784,-

  • - Being Lectures Given at the Johns Hopkins University on the Percy Turnbull Memorial Foundation in November 1941
    av Joseph Warren Beach
    444,-

    A Romantic View of Poetry was first published in 1944. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.Poetry is of the very essence of living. In this belief Joseph Warren Beach discusses the ways in which poet and reader create and live "a being more intense" and thereby fulfill the function of poetry. "Wherever there is life," says Beach, "there poetry is present potentially and in its rudiments . . . and poetry, as I conceive it, is the sovereign means we have of realizing the satisfaction which we take in living."Against the background of the Romantic School, he develops a pattern for the understanding of poetry that applies to all schools and to all readers. Poetry of realization and release cannot be circumscribed. Wordsworth, Coleridge, Byron, Keats, and Shelley stand here as examples of the poetic artist. And every person who responds to the work of the poet shares with him the imaginative stimulus of poetic creation.A Romantic View of Poetry consists of a series of lectures delivered by Mr. Beach at the Johns Hopkins University in 1941 on the Percy Turnball Memorial Foundation.

  • - Poems
    av Joseph Warren Beach
    298,-

    Beginning with Plato was first published in 1944. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.These selected poems of Joseph Warren Beach range in time from the present year to the age of Pericles; in place from California to Shangri-La, from Paris to the Middle West; in theme from current political issues to the timeless problems of Greek philosophy; in mood from tender love to trenchant satire. In these fifty-odd poems is a rich variety-Anthony Eden and Cordell Hull, the French capital in the summer preceding the first World War, the skylines of the American West, the skylines of Minneapolis, soldier and swan maiden, and the inner life of man wherever lived. Mr. Beach can tell home truths without bitterness, and handle nostalgic emotion without sentimentality.

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