Bøker av Joshua Bennett

The powerful story of an art form that has transformed the cultural landscape, by an award-winning poet, professor, and slam champion. 'AN ENGAGING HISTORY' New York Times | 'A RICH HYBRID OF MEMOIR AND HISTORY' The New Yorker | 'A MUST-READ' Roger Robinson | 'GALVANISING' Luke Kennard | 'CAPTURES LIGHTNING IN A BOTTLE' Therí A. Pickens | 'MAGNIFICENT' Cornel WestIn 2009, at only twenty years old, Joshua Bennett was invited to recite a poem for President Barack Obama and First Lady Michelle Obama at the White House's Evening of Poetry, Music, and the Spoken Word. Spike Lee and Saul Williams were in the audience, and it turned out to be the very same event where Lin-Manuel Miranda first performed a work-in-progress that revolutionised musical theatre - Hamilton. Blending memoir and literary analysis, Bennett shows how a handful of visionaries altered modern culture. With passion, wit and erudition, he charts the history of spoken-word poetry, as well as his coming-of-age journey as a writer. From the early influence of Miguel Algarín and the Nuyorican Poets Café to Amanda Gorman's inauguration poem for President Joe Biden, he celebrates the contributions of legendary figures such as Ntozake Shange, Nikki Giovanni and Miguel Piñero, as well as how artists like MF DOOM, Jill Scott and Mos Def were inspired to develop their craft within their shared tradition. Spoken Word illuminates the profound influence that poetry has had everywhere melodious words are heard, from the West End to academia, from the podiums of political protest to cafés, from schools to rooms full of strangers all across the world.

**Winner of the Paterson Poetry Prize****Longlisted for the Griffin Prize and the Massachusetts Book Award****Soon to be adapted for screen by Lena Waithe and Warner Bros.**An award-winning collection and novella exploring the realm of speculative fiction, while addressing issues as varied as abolition, Black ecological consciousness, and the boundless promise of parenthoodAcross three sequences, Joshua Bennett's new book recalls and reimagines social worlds almost but not entirely lost, all while gesturing toward the ones we are building even now, in the midst of a state of emergency, together. Bennett opens with a set of autobiographical poems that deal with themes of family, life, death, vulnerability, and the joys and dreams of youth. The central section, "The Book of Mycah," features an alternate history where Malcolm X is resurrected from the dead, as is a young black man shot by the police some fifty years later in Brooklyn. The final section of The Study of Human Life are poems that Bennett has written about fatherhood, on the heels of his own first child being born. Praise for Joshua Bennett'One of the brightest intellectual and political thinkers of a new generation' Jesse McCarthy'Bennett conjures a spirit of kinship that, illuminated by redolent imagery, borders on mythic' New Yorker'Joshua Bennett's astounding, dolorous, rejoicing voice is indispensable' Tracy K Smith

From a 2021 Whiting Award and Guggenheim Fellow recipient, a 'rhapsodic, rigorous poetry collection, which pays homage to everyday Black experience in the US' (New Yorker)Owed is a book with celebration at its centre. Its primary concern is how we might mend the relationship between ourselves and the people, spaces, and objects we have been taught to think of as insignificant, as fundamentally unworthy of study, reflection, attention, or care. Spanning the spectrum of genre and form - from elegy and ode to origin myth--these poems elaborate an aesthetics of repair. What's more, they ask that we turn to the songs and sites of the historically denigrated so that we might uncover a new way of being in the world together, one wherein we can truthfully reckon with the brutality of the past and thus imagine the possibilities of our shared, unpredictable present, anew.

A third collection that reveals an acclaimed poet further extending his range into the realm of speculative fiction, while addressing issues as varied as abolition, Black ecological consciousness, and the boundless promise of parenthoodAcross three sequences, Joshua Bennett's new book recalls and reimagines social worlds almost but not entirely lost, all while gesturing toward the ones we are building even now, in the midst of a state of emergency, together. Bennett opens with a set of autobiographical poems that deal with themes of family, life, death, vulnerability, and the joys and dreams of youth. The central section, "The Book of Mycah," features an alternate history where Malcolm X is resurrected from the dead, as is a young black man shot by the police some fifty years later in Brooklyn. The final section of The Study of Human Life are poems that Bennett has written about fatherhood, on the heels of his own first child being born last fall.

Throughout US history, black people have been configured as sociolegal nonpersons. Joshua Bennett explores the place of animality in works by Richard Wright, Toni Morrison, Jesmyn Ward, and other black writers, delving into the literary imagination and ethical concerns that emerge from being viewed as a subgenre of the human.

From "one of the most impressive voices in poetry today" (Dissent magazine), a new collection that shines a light on forgotten or obscured parts of the past in order to reconstruct a deeper, truer vision of the presentGregory Pardlo described Joshua Bennett's first collection of poetry, The Sobbing School, as an "arresting debut" that was "abounding in tenderness and rich with character," with a "virtuosic kind of code switching." Bennett's new collection, Owed, is a book with celebration at its center. Its primary concern is how we might mend the relationship between ourselves and the people, spaces, and objects we have been taught to think of as insignificant, as fundamentally unworthy of study, reflection, attention, or care. Spanning the spectrum of genre and form--from elegy and ode to origin myth--these poems elaborate an aesthetics of repair. What's more, they ask that we turn to the songs and sites of the historically denigrated so that we might uncover a new way of being in the world together, one wherein we can truthfully reckon with the brutality of the past and thus imagine the possibilities of our shared, unpredictable present, anew.