Bøker av Julian Wolfreys

This book provides students with lucid and authoritative definitions of some of the most significant terms and concepts employed in the study of literary theory. It offers 250 terms from many areas of literary theory, including cultural studies, psychoanalysis, poststructuralism, Marxist and feminist studies, postcolonialism, and other areas of identity politics. In addition, it provides definitions of principal areas of literary study, and a chronological chart of major critics and philosophers. Key Concepts in Literary Theory is an indispensable reference work for anyone interested in the complexities of the theories currently discussed in literary and cultural studies.

Classic essays setting out different theoretical positions and providing examples of close readings of literature are preceded by new introductions that describe the theory in question and discuss its main currents. Among the twelve theories treated are structuralism, feminism, Marxism, post colonialism, and gay studies and queer theory.

Haunted Selves, Haunting Places in English Literature and Culture offers a series of readings of poetry, the novel and other forms of art and cultural expression, to explore the relationship between subject and landscape, self and place.

Haunted Selves, Haunting Places in English Literature and Culture offers a series of readings of poetry, the novel and other forms of art and cultural expression, to explore the relationship between subject and landscape, self and place.

Explores the nature of being and dwelling... of memory and the nature of the traces of the past... of apparition and appearance and perception... of touch and being touched... of the material and the (a)material.

A guide to the history and development of modern criticism in the humanities. The work takes the reader through introductions to historically influential philosophers and movements before focusing on three principal areas of critical attention: Europe, North America and Great Britain.

In this introductory study to the work of Jacques Derrida, Julian Wolfreys introduces the reader to a range of Derrida's interests and concerns, while offering readings, informed by Derrida's thought, of canonical and less well-known literary works.

Key Concepts in Literary Theory presents the student of literary and critical studies with a broad range of accessible, precise and authoritative definitions of the most significant terms and concepts currently used in psychoanalytic, poststructuralist, Marxist, feminist, and postcolonial literary studies. The volume also provides clear and useful discussions of the main areas of literary, critical and cultural theory, supported by bibliographies and an expanded chronology of major thinkers. Accompanying the chronology are short biographies of major works by each critic or theorist.The third edition of this reliable reference work is both revised and expanded, including:* more than 100 additional terms and concepts defined.* newly defined terms include keywords from the social sciences, cultural studies and psychoanalysis and the addition of a broader selection of classical rhetorical terms.* an expanded chronology, with additional entries and a broader historical and cultural range.* expanded bibliographies including key texts by major critics.

Difference has been a term of choice in the humanities for the last few decades, animating an extraordinary variety of work in philosophy, literary studies, religion, law, the social sciences-indeed, in virtually every area of the academy. This book offers reflections on what ideas and practices will drive the next generation of critical thinking.

In Silent Music, Julian Wolfreys (noted academic with a passion for the three languages of words, music and the imagination) brings together a group of musicians and Annagreth, a young German 'blow-in', in the uncomfortable dreamscape of the Isle of Wight in the late 1970s.

This phenomenological exploration of the streets of Dickens's London opens up new perspectives on the city and the writer.Taking Walter Benjamin's Arcades Project as an inspiration, Dickens's London offers an exciting and original project that opens a dialogue between phenomenology, philosophy and the Dickensian representation of the city in all its forms. Julian Wolfreys suggests that in their representations of London - its streets, buildings, public institutions, domestic residences, rooms and phenomena that constitute such space - Dickens's novels and journalism can be seen as forerunners of urban and material phenomenology. While also addressing those aspects of the urban that are developed from Dickens's interpretations of other literary forms, styles and genres, Dickens's London presents in twenty-six episodes (from Banking and Breakfast via the Insolvent Court, Melancholy and Poverty, to Todgers and Time, Voice and Waking) a radical reorientation to London in the nineteenth century, the development of Dickens as a writer, and the ways in which readers today receive and perceive both.Key Features* Major reassessment of Dickens's writing on the city * Dual focus on methodology and the historicity of Dickensian urban consciousness* Philosophical reflections on urban tropologies through key passages from Dickens's texts recreate the experience of Victorian London * Inventive structure offers the reader an experience of the disordered multiplicity of London* Illustrated with 19 maps and photographs

A one-stop student resource covering all aspects of studying literature from the nature and main components of the subject and key terms, theory and approaches, to study skills and career pathways. The companion provides a gateway to wider and more specialist reading and will be an essential resource for students to turn to time and time again.

Through a series of short essays, Readings traces the consideration given to the act of close reading in literary criticism and theory over the last thirty years.

Julian Wolfreys introduces students to the central concept of transgression, showing how to interpret the concept from a number of theoretical standpoints. He demonstrates how texts from different cultural and historical periods can be read to examine the workings of 'transgression' and the way in which it has changed over time.

No other major author of the nineteenth century has arguably produced as much critical activity as Thomas Hardy. This timely addition to the Critical Issues series explores the various philosophical views of critics, with close textual analysis of Hardy's novels and with reference to his poetry.

This is a reference guide for students of literary and cultural studies which introduces over 40 of the complex terms, motifs and concepts in literary and cultural theory. It a brief introduction to each concept together with short quotations from the work of key thinkers and critics.

Abigail Bray offers a lucid and accessible introduction to Helene Cixous and her theorisation of writing and sexual difference. Reading Cixous alongside Nietzsche, Heidegger, Deleuze and Derrida, Bray argues for a recognition of Cixous as one of the important thinkers of our times.

Amongst other things, Wynne-Davies discusses sixteenth- and seventeenth-century poetry in its political and cultural contexts, considers Renaissance drama in terms of performance space, and uses the early modern map to explain the prose works of writers such as Bunyan and Cavendish.

With chapters focusing on particular novels, this book charts the transitions of Victorian literary and cultural concerns across the Nineteenth century. Julian Wolfreys questions how the Victorians identified themselves in their modernity and discusses how literature mediated the construction of identities through notions of cultural memory.

Every student of literature needs to understand how to use literary theory to analyse and interpret the text. Clearly argued and lucidly written, these essays offer the student reader an interactive introduction to the ways in which contemporary literary theories challenge us to rethink interpretation, literary writing and critical reading.

Victorian Hauntings asks its reader to consider the following questions: What does it mean to read or write with ghosts, or to suggest that acts of reading or writing are haunted ?

The introduction situates the novel in relation to the history of critical reception, of both Hardy's work in general and the novel in particular. In addition, it addresses the ways in which critical work on Hardy since the 1970s has sought to reassess the novelist, while complicating the reader's understanding and appreciation of Hardy.