Bøker av Jutta Eming

More than any other secular story of the Middle Ages, the tale of Tristan and Isolde fascinated its audience. Adaptations in poetry, prose, and drama were widespread in western European vernacular languages. Visual portrayals of the story appear not only in manuscripts and printed books but in individual pictures and pictorial narratives, and on an amazing array of objects including stained glass, wall paintings, tiles, tapestries, ivory boxes, combs, mirrors, shoes, and misericords. The pan-European and cross-media nature of the surviving medieval evidence is not adequately reflected in current Tristan scholarship, which largely follows disciplinary and linguistic lines. The contributors to Visuality and Materiality in the Story of Tristan and Isolde seek to address this problem by opening a cross-disciplinary dialogue and by proposing a new set of intellectual coordinates--the concepts of materiality and visuality--without losing sight of the historical specificity or the aesthetic character of individual works of art and literature. Their theoretical paradigm allows them to survey the richness of the surviving evidence from a variety of disciplinary approaches, while offering new perspectives on the nature of representation in medieval culture. Enriched by numerous illustrations, this volume is an important examination of the story of Tristan and Isolde in the European context of its visual and textual transmission.

Der vorliegende Band fokussiert auf die Vormoderne und begegnet kritisch einem Forschungsstand, der Mittelalter und Früher Neuzeit / Moderne jeweils unterschiedliche Zeiterfahrungen unterstellt. Die hier versammelten vierzehn Beiträge aus unterschiedlichen Disziplinen befassen sich mit dem Phänomen der Verschränkung verschiedener Zeitlichkeiten im Kunstwerk, künstlerischen Entwürfen von Zeit und Zeitlichkeit sowie Epochenbildungen und Rezeptionsphänomenen. Im Kontext der neuen geisteswissenschaftlichen Konjunktur der Beschäftigung mit Zeitlichkeit nehmen die Beiträge speziell das Wechselspiel zwischen zeitlichen und ästhetischen Phänomenen in Augenschein und widmen sich damit einem in dieser Hinsicht bislang vernachlässigten Bereich vormoderner Kunst und Kultur.

The forms of expression of the emotions in medieval literature are subject to different social, communicative, and aesthetic conditions than those obtaining in the modern age. Using exemplars of the sentimental medieval love romance, this study draws out processes of historical change in the conventions governing the expression of emotions.