Bøker av Kakuzo Okakura

'Meanwhile, let us have a sip of tea. The afternoon glow is brightening the bamboos, the fountains are bubbling with delight, the soughing of the pines is heard in our kettle.'In this charming book from 1906, Okakura explores Zen, Taoism, Tea Masters and the significance of the Japanese tea ceremony.One of 46 new books in the bestselling Little Black Classics series, to celebrate the first ever Penguin Classic in 1946. Each book gives readers a taste of the Classics' huge range and diversity, with works from around the world and across the centuries - including fables, decadence, heartbreak, tall tales, satire, ghosts, battles and elephants.

The Book of Tea' is a philosophical treatise written by Kakuzo Okakura, a Japanese scholar, art critic, and curator, first published in 1906. This influential work explores the aesthetics, cultural significance, and philosophy behind the Japanese tea ceremony. The author discusses the principles of simplicity, harmony, and reverence that are central to the tea ceremony, highlighting its ability to foster a deeper connection with nature, oneself, and others. Okakura explores the contrast between Eastern and Western cultures, examining how the appreciation of tea reflects differing approaches to beauty, spirituality, and the pursuit of knowledge. He emphasizes the importance of preserving traditional values and aesthetics in the face of modernization. It provides readers with a profound understanding of the philosophy and artistry underlying the tea ceremony, making it a cherished text for those interested in Japanese culture, aesthetics, and the pursuit of a mindful existence.

The Book of Tea is a description of the history, underlying philosophy, and aesthetics of the Japanese tea ceremony. It is also, and more importantly, a book about how to live a meaningful life. It is about nature and simplicity, about art and beauty, about the unfathomable depth in the small things in life that surround us. In this edition of The Book of Tea, the author, Kakuzo Okakura, writes: The way of tea is founded on a love of what is beautiful in our common everyday lives. It teaches purity and harmony, mutual respect, and the importance of nature and the individual. It is essentially a worship of the imperfect. It is an attempt to accomplish something possible in this impossible world of ours. Part of the "Classics Retold to be Read, Not just Revered" series, the aim of this retelling of The Book of Tea is to make the book more widely accessible -- without diluting its intellectual content -- for both young and emerging adults seeking broader perspectives as well as intellectually curious older readers. The book will be of particular interest to those who want a deeper insight into the tea ceremony, flower arrangement, and Japanese aesthetics. The text is set in a slightly larger typeface for easier reading. The Author Kakuzo Okakura (1863-1913), was born in Yokohama five years before the outset of the Meiji period, which marked the end of over 200 years of national isolation and the beginning of Japan's headlong rush to transform itself into a military and industrial power that could resist Western incursions and colonization. Yokohama was a boisterous international port, and Okakura's father, a samurai stationed there for business reasons, was a progressive thinker, who started Okakura learning English at the age of six. Okakura's most important works, including The Book of Tea (1906), were written in English, and devoted to explaining and defending Japanese and Asian culture. The era in which Okakura lived was characterized by Western inroads into Asian countries. The West, thanks to the industrial revolution, was materially and militarily superior to the East, and considered itself to be culturally superior as well. Through heroic effort, Japan built up its industry and military, and when it emerged victorious from the Russo-Japanese War in 1905, it became the first non-Western country to achieve international recognition by Western powers. Okakura, however, was not concerned with this type of recognition. He wanted recognition for Japanese and Eastern arts and culture, and he felt the need to preserve them from increasing Westernization. In 1887 he was one of the founders of the first Japanese fine arts academy, and in 1898 he helped found the Japanese Institute of Fine Arts. In 1904 he was invited to the Boston Museum of Fine Arts as a curator, and in 1910 he became the first head of the Asian art division of that Museum. He died in 1913 at the age of fifty, having devoted his life to preserving Japan's traditional cultural heritage. Important figures influenced by Okakura include the German philosopher Martin Heidegger, the American poet Ezra Pound, the Indian poet Rabindranth Tagore, the American art collector Isabella Stewart Gardner, and the British translator Arthur Waley.

This modern classic invites the reader to discover a unique tradition that has come to symbolize the wisdom, beauty, and the elegant simplicity of Asian culture. The author celebrates the Way of Tea from its ancient origins in Chinese Taoism to its culmination in the Zen discipline known as the Japanese tea ceremony--an enchanting practice bringing together such arts as architecture, pottery, and flower arranging to create an experience that delights the senses, calms the mind, and refreshes the spirit. Tea was first used as a medicine and an alchemical elixir by the ancient Chinese Taoists, who praised its spiritual powers. Buddhist monks made drinking tea part of a tradition honoring the founder of Zen; this ritual was later refined in the performance of the Japanese tea ceremony as a meditative practice. The Book of Tea describes the rich aesthetic of Asian culture through the history, philosophy, and practice of brewing and drinking tea. This edition contains an introduction by Sam Hamill that provides historical insight into the significance of the tea ceremony within Zen Buddhism.

Written in English by a Japanese scholar in 1906, this book has become a classic. With clarity and elegance, the author, Kakuzo Okakura, defines the allure, the humanity, the evolution, the spirituality, the symbolism, and the related arts of tea.

-The concept of The Book of Tea, is visually enhanced by beautiful photographs taken by Yasuhiro Okawa.-It is a best book for beginners that firstly encountered to this classic masterpiece because you can enjoy reading not only the content but also the photographs.

The Book of Tea by Okakura Kakuz¿ (1906) is a long essay linking the role of chad¿ (teaism) to the aesthetic and cultural aspects of Japanese life.Addressed to a western audience, it was originally written in English and is one of the great English tea classics. Okakura had been taught at a young age to speak English and was proficient at communicating his thoughts to the Western mind. In his book, he discusses such topics as Zen and Taoism, but also the secular aspects of tea and Japanese life. The book emphasizes how Teaism taught the Japanese many things; most importantly, simplicity. Kakuz¿ argues that this tea-induced simplicity affected art and architecture, and he was a long-time student of the visual arts. In the book, Kakuz¿ states that Teaism, in itself, is one of the profound universal remedies that two parties could sit down to. Kakuz¿ went on to mention that tea has been the subject of many historical events, such as peace treaties and the like. He ends the book with a chapter on Tea Masters, and spends some time talking about Sen no Riky¿ and his contribution to the Japanese tea ceremony.According to Tomonobu Imamichi, Heidegger's concept of Dasein in Sein und Zeit was inspired - although Heidegger remained silent on this - by Okakura Kakuz¿'s concept of das-in-der-Welt-sein (being-in-the-worldness) expressed in The Book of Tea to describe Zhuangzi's philosophy, which Imamichi's professor Ito Kichinosuke had offered to Heidegger in 1919, after having followed private lessons with him the year before.

The Book Of TeaThis book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature.In an attempt to preserve, improve and recreate the original content, we have worked towards:1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a 'fresh and newly' reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions.2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work.We believe that this work holds historical, cultural and/or intellectual importance in the literary works community, therefore despite the oddities, we accounted the work for print as a part of our continuing effort towards preservation of literary work and our contribution towards the development of the society as a whole, driven by our beliefs. We are grateful to our readers for putting their faith in us and accepting our imperfections with regard to preservation of the historical content. HAPPY READING!

This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. We have represented this book in the same form as it was first published. Hence any marks seen are left intentionally to preserve its true nature.

This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. We have represented this book in the same form as it was first published. Hence any marks seen are left intentionally to preserve its true nature.