Bøker av Karl Philipp Moritz

Karl Philipp Moritz, einer der Hauptvertreter der deutschen Spätaufklärung, berichtet von einer Reise durch England aus dem Jahr 1782. In Briefen an den Schriftsteller Johann Joachim Christoph Bode, der unter dem Pseudonym Herrn Direktor Gedike auftritt, beschreibt Moritz seine Eindrücke von Land, Leuten und Kultur.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

In "Götterlehre", Karl Philipp Moritz compiles and retells the most famous myths and legends of ancient Greece and Rome. Drawing on his knowledge of ancient languages and cultures, Moritz presents these timeless stories in a clear and engaging manner, making them accessible to modern readers. This edition includes illustrations by the renowned neoclassical painter Johann Heinrich Füssli.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

In dieser Abhandlung beschreibt der deutsche Schriftsteller und Philosoph Karl Philipp Moritz seine Theorie der ästhetischen Bildung. Er betont die Bedeutung der bildenden Kunst als Mittel zur Erziehung des Menschen und analysiert die Merkmale des Schönen, die nachgeahmt werden sollten.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Dieses Buch bietet eine umfassende Untersuchung der deutschen Rechtschreibung, Interpunktion und Deklination. Besonders wird der Unterschied zwischen dem Akkusativ und Dativ untersucht. Das Buch beinhaltet vier Tabellen, die eine schnelle Übersicht über die wichtigsten Regeln bieten. Ein unverzichtbares Buch für jeden, der Deutsch lernt oder seine Kenntnisse verbessern möchte.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Dieses Buch ist eine Sammlung von Aufsätzen des deutschen Schriftstellers Karl Philipp Moritz, der als einer der bedeutendsten Vertreter der Sturm-und-Drang-Bewegung gilt. Der Band enthält Schriften zu Themen wie der Geschichte der deutschen Sprache und der Literatur sowie zur Spracherziehung und -pflege. Es ist ein Muss für alle, die an der deutschen Sprache und Kultur interessiert sind.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

"Travels in England in 1782," authored by Karl Philipp Moritz, is a fascinating personal account of the author's late-nineteenth-century travels within England. Some stories are cruel and weird, whereas others creep up on you and draw you in slowly. Moritz's account is a unique blend of travelogue, cultural research, and private introspection, giving readers with an original perspective on English society, culture, and landscapes. Across the book, Moritz's insightful observations and vivid portrayals bring England to life. He captures his travels throughout the globe, catching the alive streets, rural landscapes, and stunning architecture of the time. Moritz's conversations with people from different walks of life provide insights into the social fabric of the country, exposing both its strengths and imperfections.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

" Anton Reiser wurde 1785 veröffentlicht und ist wohl der bedeutendste Roman des deutschen 18. Jahrhunderts. Als Zeitgenosse von Goethes Werther (1774) erlangte es schnell Berühmtheit, was ihm Übersetzungen in Italien und in angelsächsischen Ländern einbrachte ¿ und sogar in Frankreich, wo es jedoch seit dem ersten Kaiserreich nicht mehr nachgedruckt wurde.Es handelt sich um einen autobiografischen Bericht, der, so der Autor, ¿das von der Bourgeoisie unterdrückte Gefühl¿ beschreibt. Zu diesem soziokulturellen Thema kommen jedoch noch weitere Elemente hinzu ¿ der hypochondrische Charakter der zärtlich geliebten Mutter, das Unverständnis und die Härte des Vaters usw. _ ebenso wichtig, dem Anton Reiser seinen Ruf als erster deutscher ¿psychologischer¿ Roman verdankt. Beseelt von dem unnachgiebigen, schmerzhaften, ¿masochistischen¿ Wunsch, sich ohne Verkleidung zu präsentieren (Einfluss von Rousseaus ¿Bekenntnisse¿), sucht der Held von Karl Philipp Moritz in der Kunst, insbesondere im Theater, einen Zufluchtsort gegen seine Qualen und seinen Narzissmus."

Klang schon fatal in Hartknopfs Ohren, als er zum erstenmale diesen Nahmen hörte.Und da er ihn in seiner Vokation mit großen verschlungenen Buchstaben geschrieben sahe, ärgerte sich sein Auge daran.Ribbeckenau war die Mutterkirche, und Ribbeckenäuchen das Filial davon, wozu der Weg über ein Torfmoor führte.Hier war es, wo der Knäuel seines Lebens sich in labyrinthische Knoten verwickelte, die nur die Schärfe des Schwerdts wieder lösen konnte.Wo seine Kraft, die sonst freien Spielraum hatte, zum erstenmale in sich gedrängt, allerley Sprünge und wunderbare Verzierungen in sich selber machte, weil sie sich selbst nicht kannte.Durch diese Klemme mußte Hartknopfs Leben selbst noch durchgehen, ehe es ungehemmt in seinem vollen Glanze leuchten, und wohlthätige Klahrheit um sich her verbreiten konnte.Der, welcher die Nebel der Täuschung so oft verscheucht hatte, mußte noch einmal durch Selbsttäuschung von der edelsten Art geprüft zu einem höhern Daseyn vorbereitet, und jeder Keim einer unruhigen Wirksamkeit in ihm ausgerottet werden.

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Frontmatter -- Vorbericht -- Von den Kainszeichen. -- Vom Artikel. -- Vom Zufammenschmelzen der Präpositionen mit dem Artikel. -- Von der Weglassung des Artikels. -- Vom Geschlecht der italiänischen Wörter. -- Vom Plural. -- Vom Adjektivum. -- Vom Pronomen. -- Vom Verbum. -- Vom Imperfektum. -- Vom Futurum. -- Vom Participium. -- Vom Gerundium. -- Vom Präteritum. -- Von den unregelmäßigen Verdis. -- Vom Verbum Seyn. -- Von den Präpositionen. -- Die übrigen Abweichungen des italiänischen Ausdrucks vom deutschen. -- Vom Accent oder vom Tone der Italianischen Wörter. -- I. Petrarch. -- II. Uriost. -- Von der Italianischen Sprache. -- Von dem Italiänischen Klima. -- Ein Gespräch. -- Ein Brief. -- Tabelle von der italiänischen Anssprache und Etymologie