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Explores the production issues and cultural contexts of Hammer's unmade films.
In Hammer Goes to Hell, Foster utilises never seen before materials held in the Hammer Script Archive to present a new perspective on one of Britain's most famous production studios. While Hammer Films has been extensively researched, the significant amount of creative and economic labour that went into over 100 unmade projects at the company have yet to be recognised accordingly. Using primary materials such as screenplays and correspondence, Hammer Goes to Hell examines the production contexts of an eclectic range of Hammer's unmade films, ranging from Nessie to Kali Devil Bride of Dracula. Using Hammer as a case study, this book represents a significant academic intervention by being the first sustained industry study to primarily use unmade projects. Offering a fresh perspective on this legendary film studio, Foster argues for the importance and sustained study of unmade films. Kieran Foster is a Teaching Associate in Film and Media Studies at the University of Nottingham.
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