Bøker av Kimberly Hurd Hale

The Politics of Perfection: Technology and Creation in Literature and Film provides an exploration of the relationship between modern technological progress and classical liberalism. Each chapter provides a detailed analysis of a film or novel, including Fritz Lang's Metropolis, Ridley Scott's Prometheus, Michael Gondry's Eternal Sunshine of the Spotless Mind, Kazuo Ishiguro's Never Let Me Go, and Margaret Atwood's Oryx and Crake. These works of fiction are examined through the lens of political thinkers ranging from Plato to Hannah Arendt. The compatibility of classical liberalism and technology is questioned, using fiction as a window into Western society's views on politics, economics, religion, technology, and the family. This project explores the intersection between human nature and creation, particularly artificial intelligence and genetic engineering, using works of literature and film to access cultural concerns. Each of the works featured asks a question about the relationship between technology and creation. Technology also allows humanity to create new types of life in the forms of artificial intelligence and genetically engineered beings. This book studies works of literature and film as evidence of the contemporary unease with the progress of technology and its effect on the political realm.

Francis Bacon, long considered a minor figure in the founding of modern political thought, is now recognized as one of its foremost thinkers. Bacon not only championed a new type and method of scientific inquiry, he also developed a plan for how modern society could be re-ordered to accommodate and promote scientific progress. Bacon's scientific writings cannot be wholly understood apart from his political writings, and many of his works combine the two topics so subtly that it is difficult to even place them in a definitive category; in this book, Kimberly Hurd Hale identifies the thread in Bacon's body of work that links modern science and liberalism. Hale provides a detailed analysis of New Atlantis, examining Bacon's place in the founding of modern political philosophy and the ways he relates to Plato, Machiavelli, and Hobbes. Hurd argues that Bacon's demonstration of scientific rule in the New Atlantis is not meant as a blueprint for modern society; rather it shows us the dangers of a scientific society devoid of liberty. By examining what is troubling about the New Atlantis, this book explains what problems lead to the emergence of Atlantean societies, i.e. societies that are prosperous, ambitious, and doomed. It shows that Bacon's portrait of Bensalem may provide the light necessary to guide those of us living in a world shaped by modern science through the dangerous seas.