Bøker av Lafcadio Hearn

Fantômes japonais / Lafcadio Hearn; traduction de Marc Logé; [La miniature de l'ouvrage a été éxécutée par A.-C. Constantinidi]Date de l'édition originale: 1930Le présent ouvrage s'inscrit dans une politique de conservation patrimoniale des ouvrages de la littérature Française mise en place avec la BNF. HACHETTE LIVRE et la BNF proposent ainsi un catalogue de titres indisponibles, la BNF ayant numérisé ces oeuvres et HACHETTE LIVRE les imprimant à la demande. Certains de ces ouvrages reflètent des courants de pensée caractéristiques de leur époque, mais qui seraient aujourd'hui jugés condamnables. Ils n'en appartiennent pas moins à l'histoire des idées en France et sont susceptibles de présenter un intérêt scientifique ou historique. Le sens de notre démarche éditoriale consiste ainsi à permettre l'accès à ces oeuvres sans pour autant que nous en cautionnions en aucune façon le contenu. Pour plus d'informations, rendez-vous sur www.hachettebnf.fr

This collection of writings from Lafcaido Hern paints a rare and fascinating picture of pre-modern Japan Over a century after his death, author, translator, and educator Lafcaido Hearn remains one of the best-known Westerners ever to make Japan his home. Almost more Japanese than the Japanese"e;to think with their thoughts"e; was his aimhis prolific writings on things Japanese were instrumental in introducing Japanese culture to the West.In this masterful anthology, Donald Richie shows that Hearn was first and foremost a reliable and enthusiastic observer, who faithfully recorded a detailed account of the people, customs, and culture of late nineteen-century Japan. Opening and closing with excerpts from Hearn's final books, Richie's astute selection from among "e;over 4,000 printed pages"e; not including correspondence and other writing, also reveals Hearn's later, more sober and reflective attitudes to the things that he observed and wrote about.Part One, "e;The Land,"e; chronicles Hearn's early years when he wrote primarily about the appearance of his adopted home. Part Two, "e;The People,"e; records the author's later years when he came to terms with the Japanese themselves. In this anthology, Richie, more gifted in capturing the essence of a person on the page than any other foreign writer living in Japan, has picked out the best of Hearn's evocations.Select writings include:The Chief City of the Province of the GodsThree Popular BalladsIn the Cave of the Children's GhostsBits of Life and DeathA Street SingerKimikoOn A Bridge

This book "" Japan: An Attempt at Interpretation "", has been considered important throughout the human history, and so that this work is never forgotten we have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies and hence the text is clear and readable.

Spirits surround us in the latest Illuminated Edition: a tome of all the Japanese ghost stories and strange tales collected and translated by author Lafcadio Hearn and depicted by the majestic brushwork of artist Kent Williams. Brimming with over sixty illustrations, and featuring essays from Academy Award-winning filmmaker Darren Aronofsky, scholar Kyoko Yoshida and Hearn's great-grandson and director of the Lafcadio Hearn Museum Bon Koizumi, this oversized slipcase volume enraptures the imagination as it chills the blood. Drawn from Hearn's two most celebrated books, Kwaidan and Shadowings, this new title constitutes a complete compendium of the otherworldly and macabre folk tales that Hearn collected and translated during his travels through Japan in the late 19th century. Kent Williams is an accomplished and multiple award-wining painter, comics artist, and draftsman, known for his richly textured and expressionist paintings. His illustrations sweep worlds of spirits across the page in an unsettling vibrant tumble. Corpse brides; flesh-eating jikininki goblins; the faceless mujina who haunt forgotten places; the rokuro-kubi, who remove their heads at night: all brought to life as never before under Williams' visionary brush. A stunning and startling new entry in Beehive Books celebrated, award-winning Illuminated Editions series. The edition is housed in a shimmering die-cut sculpturally embossed slipcase, printed on uncoated acid-free paper, and published in an oversized 9x12" trim format.

In Ghostly Japanis a collection of supernatural and ghost stories, short pieces and folktales from Japan. Through these spooky stories, the author also analyses parts of the Japanese culture, dealing with philosophical and spiritual musing on the supernatural stories of Japan. Table of Contents: - Furisodé - Incense - A Story of Divination - Silkworms - A Passional Karma - Footprints of the Buddha - Ululation - Bits of Poetry - Japanese Buddhist Proverbs - Suggestion - Ingwa-banashi - Story of a Tengu - At Yaidzu

The 15 classic essays collected in Kokoro examine the inner spiritual life of Japan. The title itself can be translated as "e;heart,"e; "e;spirit"e; or "e;inner meaning,"e; and that's exactly what this collection teaches us about Japan. Sometimes touching and always compelling, the writings here tell the stories of the people and social codes that make Japan the unique place it is. "e;Kimiko"e; paints the portrait of a beautiful geisha; "e;By Force of Karma"e; tells the story of a Buddhist monk; and in "e;A Conservative,"e; we come to know the thoughts and actions of a Samurai. As an early interpreter of Japan to the West, Lafcadio Hearn was without parallel in his time. His numerous books about that country were read with a fascination that was a tribute to his keen powers of observation and the vividness of his descriptions. Today, even though Japan has changed greatly from what it was when he wrote about it, his writing is still valid, for it captures the essence of the countryan essence that has actually changed a good deal less than outward appearances might suggest. In a word, the Japanese character and the Japanese tradition are still fundamentally the same as Hearn found them to be, and for this reason, his books are still extremely revealing to readers in the West.

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

A translator of Flaubert and Gautier, Lafcadio Hearn was the master of a gaudy and sometimes self-consciously decadent literary style, but he was also a tough-minded and keenly observant reporter, with an eye for the offbeat, the sensual, and occasionally the gruesome. The writings of his American years collected in this Library of America volume-on subjects as wide ranging as comparative folklore, the history of musical instruments, French literary avant-gardes, and New Orleans voodoo-reveal an omnivorous curiosity and an always eclectic sensibility.Some Chinese Ghosts (1887), a stylized retelling of ancient legends, foreshadows Hearn's later fascination with Asian themes. The exquisitely crafted novels Chita (1889), about the devastation wrought by a Louisiana hurricane, and Youma (1890), about a slave rebellion in Martinique, epitomize his writing at its most luxuriantly romantic, alert to the interactions of diverse cultures and suffused with imagistic splendor. His extraordinary travel book Two Years in the French West Indies (1890), presented here with the many illustrations from its first edition, provides a richly impressionistic account of his long stay on Martinique and other Caribbean islands.More than two dozen examples of Hearn's journalism from the 1870s and 1880s are also included here, evoking vanished worlds with incomparable vividness: a raucous African-American nightclub on the Cincinnati waterfront; an execution; scenes of Mardi Gras and the New Orleans French Quarter; an uncharted village of Filipino fishermen in a remote Louisiana bayou. The volume is rounded out with a revealing selection of Hearn's impassioned letters, many published here for the first time in unexpurgated form.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

Published circa 1885, this pioneering work compiles the recipes of New Orleans in one volume. Celebrating the range of ethnic influences on Creole cuisine, the book contains recipes for many of the classic New Orleans dishes. Written by Lafcadio Hearn, one of New Orleans greatest literary talents, it shows a more literary flair than most modern cookbooks.

Introducing Little Clothbound Classics: irresistible, mini editions of short stories, novellas and essays from the world's greatest writers, designed by the award-winning Coralie Bickford-Smith. Celebrating the range and diversity of Penguin Classics, they take us from snowy Japan to springtime Vienna, from haunted New England to a sun-drenched Mediterranean island, and from a game of chess on the ocean to a love story on the moon. Beautifully designed and printed, these collectible editions are bound in colourful, tactile cloth and stamped with foil.In this haunting collection, the phantoms and ghouls of Japanese folklore stalk the page. Lafcadio Hearn, a master storyteller, drew on traditional Japanese folklore, infused with memories of his own haunted childhood in Ireland, to create these chilling tales. They are today regarded in Japan as classics in their own right.'The stories occupy the reverie world our mind projects onto the backs of our eyelids, where the ordinary mingles with the supernatural' - Wall Street Journal

New Orleans in 1878 was the most exotic and cosmopolitan city in North America. An international port, with more than 200,000 inhabitants, it was open to French, Spanish, Mexican, South American, and West Indian cultural influences, and home to a thriving population descended from free African Americans. It was also a battleground in the fight against yellow fever (malaria) and in the political upheavals that followed the end of Reconstruction. The continued influx of Anglo-Americans and the renewed ascendancy of white supremacists threatened to overwhelm the local blend of languages, races, and cultures that enlivened the unique Creole character of the city. Writing for an English-language newspaper, Lafcadio Hearn presented the speech, charm, and humor of the Creolized natives on the other side of Canal Street, and illustrated his sketches with woodcut cartoons - the first of their kind in any Southern paper. These vignettes, published in the New Orleans Daily Item during 1878-1880, capture a traditionalist urban world and its colorful characters with a delicate and sympathetic understanding.