Bøker av Lars Gustafsson

One grey November morning a friend rang Torsten Bergman and told him of a job on a house-conversion. Torsten arrived at the empty house in his decrepit car and got to work retiling the bathroom - the tiles were there already - while he waited for someone to turn up and make it all official. So begins this story of one day in an old man's life...

Analyses of fifteen great Swedish poems, covering a span of nearly 350 years.

Caldwell lives by the lakeside at Austin, Texas, with his wife of thirty years. He is a judge in the Federal Bankruptcy Court. And the dog? A mongrel that kept upsetting his dustbins as it rooted about in them, until the judge went after it and secretly beat its brains out with the edge-trimmers.

In the beginning of the winter thaw, Lars Lennart Westin has learned that he will not live through the spring. Told through the journals of this schoolteacher turned apiarist, The Death of a Beekeeper is his gentle, courageous, and sometimes comic meditation on living with pain.

Swedish poet, novelist and philosopher Lars Gustafsson (1936-2016) was one of Europe's leading literary figures. Much of his writing is concerned with the search for moral consciousness. Poetry Book Society Recommended Translation, shortlisted for the Bernard Shaw Prize 2018 (for translation from Swedish).

Lars Gustafsson's Funeral Music for Freemasons (1983), the Swedish writer's fifth book of fiction to be translated into English, follows the lives of three free spirits of the 1950s, from their aspiring student years in Stockholm to their present realities, so different from their youthful imaginings. Jan Bohman, a brilliant poet become smalltime African merchant--a latterday Rimbaud--is about to be deported from Senegal. Hans ("Hasse" to his friends), an idealistic research physicist, is now a professor at Harvard, leading the protected surburban life of an American academic. Ann-Marie Nöhme, the promising Mozartean soprano in the bonds of whose love both men agonized, has had a failed career in a provincial repertory. How could so much talent have come to so little? Was there something in the Sweden of their youth, and by extension the whole of the industrial West, that prefigured the death of creativity? Or might it have been spent, drained away in love's passion? Then again, perhaps these years never did in fact happen, memory following one time-line, existence another, so that their real lives seem to have gone unlived. With his customary psychological delicacy and philosophical aplomb, Lars Gustafsson has composed a novel in Funeral Music for Freemasons that, like the Mozart Trauermusik the title invokes, sings a moving dirge for an age.

A knowledgeable, loving and poetic account of a journey across his country by one of Sweden's most renowned and revered writers. Gustafsson paints an evocative portrait of his homeland.