Bøker av Laurel Brake

This book examines the connection between print and culture in the nineteenth century, identifying a neglected and important body of Victorian criticism. Subjugated Knowledges explores the relations of certain forms of nineteenth-century printed texts to their modes of production and to each other, in their own time period and in ours. Brake claims that there is a high degree of interdependence among literature, history, and journalism. She investigates the ways in which space is designated male or female as well as the way authorship is constructed in various forms of biography, including in such diverse forms as obituaries and dictionaries. The book moves from a general mapping of the relations between literature and journalism and their respective formations to studies of individual textssuch as Harper's New Monthly Magazine, Woman's World, and the Dictionary of National Biography and of relations between (the construction of) authorship and publishing history. The volume is comprised of three sections: Literature and Journalism, Gendered Space, and Biography and Authorship. The first section contains chapters on such diverse issues as the professionalization of critics, cultural formation of journals, new journalism, press censorship, and decadence. The second section discusses women's magazines of the 1880s and 90s, while the third examines debates in the press about biography.

Examining the relation of print and culture in the 19th century, this book scrutinizes the cultural politics and production of Victorian magazines. A high degree of interdependence among literature, history and journalism is alleged, and ways in which space is designated male or female is explored.

This book examines the connection between print and culture in the nineteenth century, identifying a neglected and important body of Victorian criticism. Subjugated Knowledges explores the relations of certain forms of nineteenth-century printed texts to their modes of production and to each other, in their own time period and in ours. Brake claims that there is a high degree of interdependence among literature, history, and journalism. She investigates the ways in which space is designated male or female as well as the way authorship is constructed in various forms of biography, including in such diverse forms as obituaries and dictionaries. The book moves from a general mapping of the relations between literature and journalism and their respective formations to studies of individual textssuch as Harper's New Monthly Magazine, Woman's World, and the Dictionary of National Biography and of relations between (the construction of) authorship and publishing history. The volume is comprised of three sections: Literature and Journalism, Gendered Space, and Biography and Authorship. The first section contains chapters on such diverse issues as the professionalization of critics, cultural formation of journals, new journalism, press censorship, and decadence. The second section discusses women's magazines of the 1880s and 90s, while the third examines debates in the press about biography.

Chapters focus on authorship, production, and gender in relation to Dickens, Pater, Ruskin, Eliot, Symons, and James, and serials such as Master Humphrey's Clock , the Westminster Review, Artist and Journal of Home Culture, Publishers' Circular, Yellow Book and Savoy.

This critical study of a key figure in Victorian literary society examines Walter Pater's work on art history, literature and Greek studies, as well as analysing the roles of gender and journalism in shaping his writing.

This reader of original essays offers fresh insights into British journalism of the nineteenth century. Opening new avenues of investigation the book makes a contribution to the teaching of communications, the study of discourse, and press history.