Bøker av Leah Scragg

A fully annotated, modern-spelling edition of entertainments performed for the monarch during her summer progress, the collection affords an insight into a neglected area of Elizabethan cultural activity. -- .

The Woman in the Moon is the last of Lyly's plays and the only one of his works to be written primarily in verse. Newly edited from the first edition of 1597, this latest contribution to the prestigious Revels Plays series is the first fully annotated, modern-spelling edition of the play. -- .

This study examines the background to the well-known tales that Shakespeare used in his plays, describing their conventional use and then showing how Shakespeare deliberately subverted the motifs in order to challenge audience preconceptions.

Discusses how meaning is generated in Shakespearian drama and the kinds of approaches that might lead to a fuller understanding of the plays. Each chapter focuses on one aspect of the dramatic composition, such as verse and prose, imagery and spectacle, and the use of soliloquy, and explores how this contributes to the overall meaning.

With reproduction of original title page: Pappe with an hatchet: alias, A figge for my god sonne, or, Cracke me this nut, or, A countrie cuffe, that is, a sound boxe of the eare, for the idiot Martin to hold his peace, seeing the patch will take no warning / written by one that dares call a dog, a dog, and made to prevent Martins dog daies.

Preface - Acknowledgements - Verse and Prose - Imagery and Spectacle - Shakespeare's Expositions - Plays within Plays - Parallel Actions - The Treatment of Character - The Use of the Soliloquy - Art and Artifice - Conclusion: Discovering Shakespeare's Meaning - Index