Bøker av Leo Tolstoy

In his book, 'Twenty Three tales,' we see Tolstoy's love of the short story, whether for children or adults; and witness the secret of simplicity and transparency of style, so evident in the great Russian writers. The children's stories remind us of Tolstoy's life-long passion for the schooling and education of peasant children. Of the adult stories, some draw on traditional Russian folk tales, breathe the air old peasant wisdom, and take us deep into the land of snow, bears, heartache and vodka. Other stories reflect Tolstoy's political and moral concerns, such as war, alcohol and greed.'The artist of the future,' wrote Tolstoy, 'will understand that to compose a fairy tale; a little song which will touch; a lullaby or a riddle which will entertain; a jest which will amuse or draw a sketch such as will delight dozens of generations or millions of children and adults, is incomparably more important and more fruitful than to compose a novel, or a symphony, or paint a picture of the kind which diverts some members of the wealthy classes for a short time and is then for ever forgotten. The region of this art of the simplest feelings accessible to all is enormous, and it is as yet almost untouched.''Work while ye have the light,' is Tolstoy in teaching mode. The opening scene is an aristocratic dinner party, at which all the guests declare themselves dissatisfied with their dissolute and useless lives; but find a thousand different reasons why nothing should change. There follows a moral tale, set in the 1st Century AD, when the new Christian sect was just getting noticed by the prevailing Roman Empire. It tells the story of two school friends, Pamphylius and Julius, who take different paths in life; but whose paths keep crossing. Pamphylius joins the Christians, living poor in community, while Julius acquires status and power. Here Tolstoy gives us his picture of authentic Christianity; and gives Julius a choice.

'My Confession' is Tolstoy's chronicle of his journey to faith; his account of how he moved from despair to the possibility of living; from unhappy existence to 'the glow and strength of life'. It describes his spiritual and philosophical struggles up until he leaves the Orthodox Church, convinced that humans discover truth not by faith, but by reason.The story begins when at the age of 50, Tolstoy is in crisis. Having found no peace in art, science or philosophy, he is attacked by the black dog of despair, and considers suicide. His past life is reappraised and found wanting; as slowly light dawns within. 'As gradually, imperceptibly as life had decayed in me, until I reached the impossibility of living, so gradually I felt the glow and strength of life return to me... I returned to a belief in God.'Here is a quest for meaning at the close of the 19th century - a time of social, scientific and intellectual turbulence, in which old forms were under threat. Tolstoy looks around at both old and new alike, and like the author of Ecclesiastes, discovers that 'All is vanity'. His spiritual discoveries first take him into the arms of the Orthodox Church; and then force his angry departure from it.'My Religion' carries on from where 'My Confession' left off. Describing himself as a former nihilist, Tolstoy develops his attack on the church he has left. He accuses them of hiding the true meaning of Jesus, which is to be found in the Sermon on the Mount; and most clearly, in the call not to resist evil. For Tolstoy, it is this command which has been most damaged by ecclesiastical interpretation. 'Not everyone,' he writes, 'is able to understand the mysteries of dogmatics, homilectics, liturgics, hermeneutics, apologetics; but everyone is able and ought to understand what Christ said to the millions of simple and ignorant people who have lived and are living today.' Here is Tolstoy's religion; and non-violence is at its heart.

When Marshal of the Nobility Pozdnyshev suspects his wife of having an affair with her music partner, his jealousy consumes him and drives him to murder. Controversial upon publication in 1890, "The Kreutzer Sonata illuminates Tolstoy's then-feverish Christian ideals, his conflicts with lust and the hypocrisies of nineteenth-century marriage, and his thinking on the role of art and music in society. In her Introduction, Doris Lessing shows how relevant "The Kreutzer Sonata is to our understanding of Tolstoy the artist, as well as to feminism and literature. This Modern Library Paperback Classic also contains Tolstoy's "Sequel to the Kruetzer Sonata.

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Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. Visit us online at www.1stWorldLibrary.ORG - - All is quiet in Moscow. The squeak of wheels is seldom heard in the snow-covered street. There are no lights left in the windows and the street lamps have been extinguished. Only the sound of bells, borne over the city from the church towers, suggests the approach of morning. The streets are deserted. At rare intervals a night-cabman's sledge kneads up the snow and sand in the street as the driver makes his way to another corner where he falls asleep while waiting for a fare. An old woman passes by on her way to church, where a few wax candles burn with a red light reflected on the gilt mountings of the icons. Workmen are already getting up after the long winter night and going to their work - but for the gentlefolk it is still evening. From a window in Chevalier's Restaurant a light - illegal at that hour - is still to be seen through a chink in the shutter. At the entrance a carriage, a sledge, and a cabman's sledge, stand close together with their backs to the curbstone. A three-horse sledge from the post-station is there also. A yard-porter muffled up and pinched with cold is sheltering behind the corner of the house.

Tolstoy is most famous for his two major novels, Anna Karenina and War and Peace, but he also produced several minor masterpieces, of which The Death of Ivan Illyich is the most outstanding. In this tale he deals with the subject of death, which is a subject often considered taboo. Before opening this book the reader should be warned: this is strong meat, not to be tasted by the squeamish. Whether the reader finds the hero's spiritual conversion convincing or not, they cannot fail to be impressed by the sheer power and artistry of Tolstoy's writing.