Bøker av Les Roberts

Russell Reinhart, a well-known author of private eye novels, is released from the Illinois State Prison in Joliet after serving seven years for the involuntary manslaughter of his wife. He returns to Chicago, welcomed home by his top-flight attorney who tucked away all his millions so no one could get hold of them while he was incarcerated, and rented him an elegant apartment in the Near North neighborhood, half a block from Lake Michigan. Reinert was an only child, adopted when an infant, and now he has no one to whom he can turn. His release from prison is reported by the local papers, and he's contacted by a man he's never heard of named Cole Cabot. A few years earlier, Cabot had married Reinert's extra-curricular girlfriend, Aubrey, who has suddenly gone missing. Russ pleads he's no private eye but just writes fiction about them, but worries his ex-lover has disappeared, so agrees to take on the case. He learns Aubrey was also the mistress of one of the world's richest men in America, Gaylord Ogilvie, at the same time she was with him. Having investigative trouble, he is helped by the young son of a man who met while he was in prison, a huge, half-illiterate black man named Denver Tolliver, who saved his life behind bars several times. Denver was locked up for life after killing a police officer, but his college-student son is brilliant loyal, intelligent and wise. Butting heads with Ogilvie and his minions, Russ also falls heads-over-heels in love with Cassidy Hammond, who he met while taking a Michigan Avenue Beach run for the first time in seven years. His adjustment to new freedom makes life more difficult than he'd ever imagined. When he runs into danger that might turn permanent, he hadn't forgotten how Denver Tolliver had taught him to prison-fight, and he eventually learns he's not that much alone as he thought he was. The first words of this book are identical to the last words in the book, too: "I am an only child..."

Posthuman Buddhism and the Digital Self lays the groundwork for the concept of `dwellspace¿ as a means by which to unpick the shifting spatial, temporal and experiential modalities of everyday mediascapes.

Slovenian-American Jericho Paich finds himself under arrest by snarling Cleveland police cop Keenan Mayo and forced to be a non-paid confidential informant, setting up friends and strangers to be hauled in for illegal drug use. He turns for help to his mother's live-in lover, ex-marine officer Laird Janiver. The two have never gotten along, but Jerry has nowhere else to turn. Janiver, a studious African American major who recalls how to kill, decides to help. That brings the two men into contact with a cruelly efficient albino drug lord, the suicidal memory of a lovely young college girl at OSU, and a beautiful woman with what might be a very dangerous past.

Former Irish mafia hitman Brock Sheehan lives quietly on a boat fifty miles from Cleveland. His "retirement" angered the mob boss and his former job caused the Sheehan family to disown him. But when his long-lost nephew, Linus Callahan, tracks him down and asks him for assistance, he agrees to help. A few days earlier, the nephew got into a push-and-shove bar argument with a multimillion-dollar basketball player just released from prison for running a high-level dog-fighting ring. Then the athlete is murdered, and Linus becomes the Cleveland police department's "person of interest." So while Brock Sheehan asks questions regarding the illegal dogfight community, the athlete's crazed fans subject him and his live-in girlfriend to a beating, and rapes one of his co-workers at the local animal shelter. In his travels all over NE Ohio, Brock finds himself in Youngstown where he discovers the woman he's loved all his life, Arizona Skye, who walked out on him years ago and disappeared because of his violent profession. Now she works as a TV news reporter in Youngstown and he hopes to somehow rekindle that love from ten years ago. Investigating the athlete's former dogfight ring, Brock gets most unpleasant with the remaining partner-and winds up with a pit bull of his own, which he names Conor, after an Irish saint. And eventually, with Conor's instincts, he discovers and turns over to the police the real killer of the dog-killer turned sports legend.

Spatial Anthropology draws together a number of interrelated strands of research focused on landscape, place and cultural memory in the north-west of England. At the core of the book lies an engagement with the methodological opportunities offered by new interdisciplinary frameworks of research and practice that have emerged in the wake of a putative ';spatial turn' in arts and humanities scholarship in recent years. The spatial methods explored in the book represent a consolidation of site-specific interventions enacted in landscapes located in the north-west and beyond. Utilising digital tools and geospatial technologies alongside ethnographic, performative and autoethnographic modes of spatio-cultural analysis, spatial anthropology is presented as a geographically immersive and critically reflexive set of practices designed to explore the embodied and increasingly multi-faceted spatialities of place, mobility and memory. From the radically placeless environment of a motorway traffic island, to the ';affective archipelago' of former cinema sites, or the ';songlines' and micro-geographies of musical memory, Spatial Anthropology offers a rich tapestry of landscapes, practices and spatial stories that speaks to both the particularities of place and locality as well as the more delocalised topographies of regional, national and global mobility.