Bøker av Lewis Turco

An invaluable resource for writers and students of narrative seeking to master the art of dialogue. The book will teach you how to use dialogue to lay the groundwork for events in a story, to balance dialogue with other story elements, to dramatize events through dialogue, and to strategically break up dialogue with other elements of your story.

The much-anticipated second edition of The Book of Literary Terms features new examples and terms to enhance Turco's classic guide that students and scholars have relied on over the years as a definitive resource for the definitions of the major terms, forms, and styles of literature.

Now in its fifth edition, The Book of Forms continues to be the go-to reference and guide for students, teachers, and critics. Filled with both common and rarely heard of forms and prosodies, Turco's engaging style and apt examples invite writers to try their hands at exploring forms in ways that challenge and enrich their work.

THE FOREWORD BLUESWesli Court said I should write a book,A bunch of blues-enough to fill a book,And he'd design the cover. I said, "Look,If you'll write half of them, then I will chooseA ball-point pen, a felt-tip-I will chooseTo join you in a modicum of blues."And that's the reason, Reader, we are here-You, Wes and me-we three assembled hereAmong these turning leaves yellow and sere.We hope you'll think the words we write are fine,Our writing bold and dark, but our wordage fine . . . ,At least we hope you'll like the cover design.Envoy EpilogueGo, little book of sorrows, cares and woes,But Wesli's gone. Where? Only goodness knows.

Poetry. "Lewis Turco... appears to have combined the longevity of Utnapishtim with the energy and industry of Gilgamesh: once seized with inspiration, he wrote THE HERO ENKIDU at white heat in his eightieth year. The inspiration itself is of the kind that, once someone has come up with it, makes us wonder why no one ever thought of it before, because in a number of ways Enkidu is a more interesting and attractive figure than Gilgamesh."--Michael Palma, from the Introduction

Providing an overview of the various schools of poetry that developed during the second half of the twentieth century and the first decade of the twenty-first, this book provides insights into the methods, concerns, and poems of many of the prominent poets of the period, and a critical assessment of the development of contemporary poetic movements including the most recent, Neoformalism.