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The 50th anniversary edition of the first major work of feminist art history, published together with the author's reflections three decades on.
Renowned art historian and pioneering feminist Linda Nochlin explores how, from the late 18th century, fragmented, mutilated and fetishized representations of the human body came to constitute a distinctively modern view of the world. Surprising, questioning, challenging, enriching: the ON series celebrates writers and thinkers who have helped shape the conversation across the arts. Mixing classic and contemporary texts, reissues and abridgements, these are bite-sized, fully illustrated reads in an attractive, affordable and highly collectable package.
A selection of key essays on art from the nineteenth century to the present day by one of the most influential voices in art history.
Providing an overview of Nochlins life and work, this book includes both her major thematic texts and her monographic texts on major women artists, both historical and modern. It will be suitable for students and academics working in the fields of art history and historiography, gender and womens studies, cultural history and theory.
A leading critic and historian of nineteenth-century art and society explores in nine essays the interaction of art, society, ideas, and politics.
Seven landmark essays on women artists and women in art history brings together the work of almost twenty years of scholarship and speculation.
'Fascinating essays ... Nochlin is a woman of learning and accomplishment' Andrea Dworkin
Women, Art, and Power--seven landmark essays on women artists and women in art history--brings together the work of almost twenty years of scholarship and speculation.
Linda Nochlin explores the contradictions and dissonances that mark experience as well as art. Her book confronts the issues posed in representations of the body in the art of impressionists, modern masters, and contemporary realists and post-modernists.
A leading critic and historian of nineteenth-century art and society explores in nine essays the interaction of art, society, ideas, and politics.
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