Bøker av Lise Pearlman

Who was Fay Abrahams Stender? A giant among Movement lawyers from the McCarthy Era to the 1970s intent on forcing society to change. Friends could easily picture her as the heroine of a grand opera. A child prodigy, she abandoned the concert piano to become a zealous advocate for society's most scorned and vilified criminal defendants: from the Rosenberg espionage case during the Cold War to militant black clients, Black Panther Party leader Huey Newton and revolutionary prisoner George Jackson to prisoners in the "e;Dachau"e; of maximum security. Stender achieved amazing legal successes in criminal defense and prison reform, before she ultimately refocused with similar zeal on feminist and lesbian rights. In May 1979, an ex-felon invaded her home and shot her execution-style after forcing her to write a note saying she betrayed George Jackson. She barely survived. Wheelchair bound and under 24-hour police protection, she then became the star witness in her assailant's prosecution. Awaiting trial in a secret hideaway in San Francisco, Fay told the few friends she let visit her there to "e;call me Phaedra,"e; a tragic heroine from Greek mythology. Shortly after the trial, like Phaedra, she committed suicide. Set against a backdrop of sit-ins, protest marches, riots, police brutality, assassinations, death penalty trials and bitter splits among Leftists, this book makes for a compelling biography. Yet it delivers on a broader goal as well - an overview of the turbulent era in which Fay Stender operated under the watchful eye of the FBI and state officials. We not only relive Stender's story, but that of a small cadre of committed Bay Area activists who played remarkable roles during the McCarthy Era, Civil Rights Movement (including Mississippi Freedom Summer), the Free Speech Movement, Vietnam War protests, and the rise of Black Power. Besides revolutionaries Huey Newton and George Jackson, Fay's life intertwined with: Jessica Mitford (who dubbed Fay her "e;frenemy'), Bob Treuhaft, Charles Garry, Bob Richter, Stanley Moore, Tom Hayden, Jane Fonda, Stokely Carmichael, Cesar Chavez, Mario Savio, George Crockett, Joan Baez, Willie Brown, Ron Dellums, Jerry Rubin, Max Scherr, Jean Genet, Elsa Knight Thompson, Kay Boyle, Bobby Seale, David Hilliard, Angela Davis, Eldridge and Kathleen Cleaver, and Mike Tigar, among others. By the fall of 1970, Stender had gained international press coverage as the most sought-after Movement lawyer in America. She had just achieved spectacular successes against all odds for two black revolutionary clients. The book also describes Stender's ultimate failure to surmount class and racial differences to make her clients' cause her own and how, as in a Greek tragedy, hubris led to her downfall. Fay's tragic end served as a sobering lesson to her Movement friends of the personal risks many of them had run. For many, her death symbolized the end of an era.

Who was Fay Abrahams Stender?  A giant among Movement lawyers from the McCarthy Era to the 1970s intent on forcing society to change. Friends could easily picture her as the heroine of a grand opera. A child prodigy, she abandoned the concert piano to become a zealous advocate for society’s most scorned and vilified criminal defendants: from the Rosenberg espionage case during the Cold War to militant black clients, Black Panther Party leader Huey Newton and revolutionary prisoner George Jackson, to prisoners in the “Dachau” of maximum security. Stender achieved amazing legal successes in criminal defense and prison reform before she ultimately refocused with similar zeal on feminist and lesbian rights. In May 1979, an ex-felon invaded her home and shot her execution-style after forcing her to write a note saying she betrayed George Jackson. She barely survived. Wheelchair bound and under 24-hour police protection, she then became the star witness in her assailant’s prosecution. Awaiting trial in a secret hideaway in San Francisco, Fay told the few friends she let visit her there to “call me Phaedra,” a tragic heroine from Greek mythology. Shortly after the trial, like Phaedra, she committed suicide.  Set against a backdrop of sit-ins, protest marches, riots, police brutality, assassinations, death penalty trials and bitter splits among Leftists, this book makes for a compelling biography. Yet it delivers on a broader goal as well – an overview of the turbulent era in which Fay Stender operated under the watchful eye of the FBI and state officials. We not only relive Stender’s story, but that of a small cadre of committed Bay Area activists who played remarkable roles during the McCarthy Era, Civil Rights Movement (including Mississippi Freedom Summer), the Free Speech Movement, Vietnam War protests, and the rise of Black Power.  Besides revolutionaries Huey Newton and George Jackson, Fay’s life intertwined with: Jessica Mitford (who dubbed Fay her “frenemy’), Bob Treuhaft, Charles Garry, Bob Richter, Stanley Moore, Tom Hayden, Jane Fonda, Stokely Carmichael, Cesar Chavez, Mario Savio, George Crockett, Joan Baez, Willie Brown, Ron Dellums, Jerry Rubin, Max Scherr, Jean Genet, Elsa Knight Thompson, Kay Boyle, Bobby Seale, David Hilliard, Angela Davis, Eldridge and Kathleen Cleaver, and Mike Tigar, among others.   By the fall of 1970, Stender had gained international press coverage as the most sought-after Movement lawyer in America. She had just achieved spectacular successes against all odds for two black revolutionary clients. The book also describes Stender’s ultimate failure to surmount class and racial differences to make her clients’ cause her own and how, as in a Greek tragedy, hubris led to her downfall. Fay’s tragic end served as a sobering lesson to her Movement friends of the personal risks many of them had run. For many, her death symbolized the end of an era.

Lise Pearlman's With Justice for Some: Politically Charged Criminal Trials in the Early 20th Century that Helped Shape Today's America takes a fascinating look back at headline-grabbing criminal trials from the early 1900s as a cultural backdrop for contentious issues we face as a nation today. In her first book The Sky's The Limit: People v. Newton, The REAL Trial of the 20th Century? these early trials were compared to the 1968 death penalty trial of Black Panther leader Huey Newton, which the author considered the real trial of the century neglected by most historians. Here, these riveting trials are reexamined with emphasis on the insights they provide to today's political climate. Pearlman's new book opens with a remarkable admission by former FBI Chief James Comey in a speech on Lincoln's birthday in February 2015: "e;All of us in law enforcement must be honest enough to acknowledge that much of our history is not pretty. At many points in American history, law enforcement enforced the status quo . . . that was often brutally unfair to disfavored groups."e; He invited all Americans to re-examine our "e;cultural inheritance"e; with fresh eyes. That is what Pearlman's new book seeks to do. This well-researched volume takes advantage of the passage of time to put each trial into perspective from work done decades, sometimes even a century, later by investigative journalists and historians who unearthed far more evidence of what really happened in the events that made banner headlines in the early 20th century. She makes the case that by revisiting riveting high-stakes trials that still have ramifications today, we can gain a better understanding of the extent cultural bias has permeated the fabric of our culture -- and a better premise from which to move forward as a nation than the whitewashed history so many of us were taught in school.

On the 50th anniversary of the Black Panther Party, Pearlman's new book American Justice on Trial: People v. Newton compares the explosive state of American race relations in 1968 to race relations today with insights from key participants and observers of the internationally-watched Oakland, California death-penalty trial that launched the Black Panther Party and transformed the American jury "e;of one's peers"e; to the diverse cross-section we often take for granted today. The book includes comments from Newton prosecutor Lowell Jensen, pioneering black jury foreman David Harper and TV journalist Belva Davis, as well as from Huey Newton's older brother Melvin Newton, former Panthers Kathleen Cleaver, David Hillliard and Emory Douglas. It also includes comments from civil rights experts including Bryan Stevenson, Barry Scheck and John Burris. This book complements the nonprofit documentary project of the same name for which Pearlman is co-producer/co-director on behalf of Arc of Justice Productions, Inc. [www.americanjusticeontrial.com].