Bøker av Liz Herbert McAvoy

During the Middle Ages, the arresting motif of the walled garden - especially in its manifestation as a sacred or love-inflected hortus conclusus - was a common literary device.

An examination of the growth and different varieties of anchoritism throughout medieval Europe.

One of the most important medieval writers studied in historical and literary context.

An examination of ways in which the writings of Julian of Norwich and Margery Kempe were affected by traditional and contemporary attitudes towards women.

Translation and facing text of an important female-authored work from the late middle ages.

Essays challenging the orthodox opinion of anchorites as entirely divorced from the world around them.Much of the research into medieval anchoritism to date has focused primarily on its liminal and elite status within the socio-religious cultures of its day: the anchorite has long been depicted as both solitary and alone, almost entirely removed from community and living a life of permanent withdrawal and isolation, in effect dead to the world. Considerably less attention has been afforded to the communal sociability that also formed part of the reclusivelife during the period, The essays in this volume, stemming from a variety of cross-disciplinary approaches and methodologies, lay down a challenge to this position, breaking new ground in their presentation of the medievalanchorite and other types of enclosed solitary as playing a central role within the devotional life of the communities in which they were embedded. They attest also to the frequent involvement of anchorites and other recluses in local, national and, sometimes, international matters of importance. Overall, the volume suggests that, far from operating on the socio-religious periphery, as posited previously, the medieval anchorite was more often found at theheart of a sometimes intersecting array of communities: synchronic and diachronic; physical and metaphysical; religious and secular; gendered and textual. CATE GUNN has taught in the Continuing Education and LiteratureDepartments of the University of Essex; LIZ HERBERT MCAVOY is Professor of Medieval Literature at Swansea University. Contributors: Diana Denissen, Clare Dowding, Clarck Drieshen, Cate Gunn, Catherine Innes-Parker, E.A. Jones, Dorothy Kim, Liz Herbert McAvoy, Godelinde Perk, James Plumtree, Michelle Sauer, Sophie Sawicka-Sykes, Andrew Thornton OSB,

A consideration of the ways in which the past was framed and remembered in the pre-modern world.The training and use of memory was crucial in medieval culture, given the limited literacy at the time, but to date, very little thought has been given to the complex and disparate ways in which the theory and practices of memoryinteracted with the inherently unstable concepts of time and gender at the time. The essays in this volume, drawing on approaches from applied poststructural and queer theory among others, reassess those ideologies, meanings and responses generated by the workings of memory within and over "e;time"e;. Ultimately, they argue for the inherent instability of the traditional gender-time-memory matrix (within which men are configured as the recorders of "e;history"e;and women as the repositories of a more inchoate familial and communal knowledge), showing the Middle Ages as a locus for a far more fluid conceptualization of time and memory than has previously been considered. Elizabeth Cox is Lecturer in Old English at Swansea University; Roberta Magnani is Lecturer in Medieval Literature at Swansea University; Liz Herbert McAvoy is Professor of Medieval Literature at Swansea University. Contributors: Anne E. Bailey, Daisy Black, Elizabeth Cox, Fiona Harris-Stoertz, Ayoush Lazikani, Liz Herbert McAvoy, Pamela E. Morgan, William Rogers, Patricia Skinner, Victoria Turner.

This volume focuses on women's literary history in Britain between 700 and 1500. It brings to the fore a wide range of women's literary activity undertaken in Latin, Welsh and Anglo-Norman alongside that of the English vernacular, demanding a rethinking of the traditions of literary history, and ultimately the concept of 'writing' itself.

Ranging from studies of the influence of desert eremiticism upon a variety of expressions of religious enclosure in England to the sexualized spirituality of the high Middle Ages, this book contains essays that demonstrate how discourses of anchoritic enclosure were utilized to different ends at different periods throughout the Middle Ages.