Bøker av Lonny Harrison

This panoramic history of the Russian intelligentsia provides a uniquely cross-disciplinary look at the language of the Russian Revolution from its origins through fruition in early Soviet society. Harrison examines storms, floods, and harvest metaphors in selected works of fiction and analyzes the use of language as a weapon of class war.

Archetypes from Underground: Notes on the Dostoevskian Self uncovers archetypal imagery in Dostoevskys stories and novels and argues that archetypes bring a new dimension to our understanding and appreciation of his works. In this interdisciplinary study, Harrison analyzes selected texts in light of fresh research in Dostoevsky studies, cultural history, comparative mythology, and depth psychology. He argues that one of Dostoevsky's chief concerns is the crisis of modernity, and that he dramatizes the conflicts of the modern self by depicting the dynamic, transformative nature of the psyche. Harrison finds the language and imagery of archetypes in Dostoevskys characters, symbols, and themes, and shows how these resonate in remarkable ways with the archetypes of self, persona, and the shadow. He demonstrates that major themes in Dostoevsky coincide with Western esotericism, such as the complementarity of opposites, transformation, and the symbolism of death and resurrection. These arguments inform a close reading of several of Dostoevskys texts, including The Double , Notes from Underground , and The Brothers Karamazov . Archetypes inform these works and others, bringing vitality to Dostoevskys major characters and themes. This research represents a departure from the religious and philosophical questions that have dominated Dostoevsky studies. This work is the first sustained analysis of Dostoevskys work in light of archetypes, framing a topic that calls for further investigation. Archetypes illumine the authors ideas about Russian national identity and its faith traditions and help us redefine our understanding of Russian realism and the prominent place Dostoevsky occupies within it.