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While much research into television has been historical, textual, or empirical, this volume approaches the topic from a sociocultural and feminist perspective, to address important questions from the viewpoint of the audience as well as from that of the industry.
Uncovers the story of how modernism and network television converged and intertwined in their mutual ascent during the decades of the cold war. This title shows how TV was instrumental in introducing the public to the different trends in art and design.
Takes into account the changes in the television industry, the academic field of television studies and the culture and politics of feminist movements. This book explores how television represents feminism and considers how critics themselves have created feminism and post-feminism as historical categories and political identities.
Looks at a range of commercial objects and phenomenon, from television and toys to comic books and magazines. The author looks at the often unspoken assumptions about class, nation, ethnicity, race, and sexual orientation that underscored both media images (like those of 1960s space missions) and social policies of the mass-produced suburb.
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