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By the author of The Handmaid's Tale and Alias Grace Curious Pursuits is a collection of personal essays, book reviews and articles from the fierce, ingenious mind of Margaret Atwood, ranging from 1970 to the present. Atwood remembers moving to London as a starry-eyed teenager in 1964 and her first attempts at gardening; she discusses feminist utopias in fiction, and writes moving odes on beloved classics like Anne of Green Gables. Personal life and fiction are shelved side by side in this revealing, insightful collection of Atwood's non-fiction writing.PRAISE FOR Curious Pursuits'A goldmine' Sunday Times'Reminds one that Atwood is a superbly funny (as well as serious) writer; her wit is winningly relaxed and genial as well as sharp' Spectator'The glimpses into the writing process and her reflections on identity will delight fans of her novels, who will also recognise flashes of her mordant wit' Times
In this collection of miscellaneous writings by Margaret Atwood, Gertrude describes what really happened in "Hamlet", an ugly sister and a wicked stepmother put in a good word for themselves, and a reincarnated bat explains how Bram Stoker got "Dracula" hopelessly wrong.
From the author of The Handmaid's Tale and Alias Grace*Rabbit superheroes. A theory of masks and capes. Victorian otherlands.From her 1940s childhood to her time at Harvard, Margaret Atwood has always been fascinated with SF. In 2010, she delivered a lecture series at Emory University called 'In Other Worlds: SF and the Human Imagination.' This book is the result of those lectures. It includes essays on Ursula Le Guin and H G Wells, her interesting distinction between 'science fiction proper' and 'speculative fiction', and the letter which she wrote to the school which tried to ban The Handmaid's Tale. *'Spooky . . . wild' - Telegraph'Elegant and witty' - Guardian'Eminently readable and accessible . . . The lectures are insightful and cogently argued with a neat comic turn of phrase . . . Her enthusiasm and level of intellectual engagement are second to none' - Financial Times
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