Bøker av Maria DiBattista

A bold new literary history that says women's writing is defined less by domestic concerns than by an engagement with public lifeIn a bold and sweeping reevaluation of the past two centuries of women's writing, At Home in the World argues that this body of work has been defined less by domestic concerns than by an active engagement with the most pressing issues of public life: from class and religious divisions, slavery, warfare, and labor unrest to democracy, tyranny, globalism, and the clash of cultures. In this new literary history, Maria DiBattista and Deborah Epstein Nord contend that even the most seemingly traditional works by British, American, and other English-language women writers redefine the domestic sphere in ways that incorporate the concerns of public life, allowing characters and authors alike to forge new, emancipatory narratives.The book explores works by a wide range of writers, including canonical figures such as Jane Austen, Charlotte Bronte, George Eliot, Harriet Jacobs, Edith Wharton, Virginia Woolf, Willa Cather, Gertrude Stein, and Toni Morrison; neglected or marginalized writers like Mary Antin, Tess Slesinger, and Martha Gellhorn; and recent and contemporary figures, including Nadine Gordimer, Anita Desai, Edwidge Danticat, and Jhumpa Lahiri. DiBattista and Nord show how these writers dramatize tensions between home and the wider world through recurrent themes of sailing forth, escape, exploration, dissent, and emigration. Throughout, the book uncovers the undervalued public concerns of women writers who ventured into ever-wider geographical, cultural, and political territories, forging new definitions of what it means to create a home in the world.The result is an enlightening reinterpretation of women's writing from the early nineteenth century to the present day.

Where other works of literary criticism are absorbed with the question--How to read a book?--Imagining Virginia Woolf asks a slightly different but more intriguing one: how does one read an author? Maria DiBattista answers this by undertaking an experiment in critical biography. The subject of this work is not Virginia Woolf, the person who wrote the novels, criticism, letters, and famous diary, but a different being altogether, someone or something Maria DiBattista identifies as "e;the figment of the author."e; This is the Virginia Woolf who lives intermittently in the pages of her writings and in the imagination of her readers. Drawing on Woolf's own extensive remarks on the pleasures and perils of reading, DiBattista argues that reading Woolf, in fact reading any author, involves an encounter with this imaginative figment, whose distinct, stylistic traits combine to produce that beguiling phantom--the literary personality. DiBattista reveals a writer who possessed not a single personality, but a cluster of distinct, yet complementary identities: the Sibyl of Bloomsbury, the Author, the Critic, the World Writer, and the Adventurer, the last of which, DiBattista claims, unites them all. Imagining Virginia Woolf provides an original way of reading, one that captures with variety and subtlety the personality that exists only in Woolf's works and in the minds of her readers.