Bøker av Marino Barovier

Lighting, whether for domestic use or for the grander areas of public or private spaces of ministerial buildings or post offices, of theatres or hotels, represents an important constituent of Murano glass production. The Venini firm distinguished itself with significant results also in this sector, particularly because of its constant ability to modernise and its characteristic openness to the world of design, aspects which made it a reference point for the foremost national and international architects. This volume, which covers a period from 1921 to 1985, illustrates the work of the glassworks in the area of lighting, on the larger or smaller scale, giving an overview of the most significant projects. More than five hundred cards, accompanied by a considerable body of hitherto mostly unpublished iconographic illustrations, document an unremitting activity made up of numerous projects of historical and cultural importance, among which those carried out in collaboration with Angiolo Mazzoni in the 1930s, the production of the velarium of Palazzo Grassi in Venice in 1951, the large installation by Carlo Scarpa for Italia 61 in Turin, the Fulda theatre in Germany in 1978 etc. A careful selection of works tells of the transformation of Venini lamps, their form and their material: from the elegant reworking of the traditional chandelier with arms to the new fixtures with modular elements, from Vittorio Zecchin to Carlo Scarpa, from Massimo Vignelli a Ludovico Diaz de Santillana. The volume, with material coming from the historic Venini archive and for the greater part unpublished previously, is also accompanied by a rich documentary apparatus made up of a substantial corpus of graphic illustrations (catalogue drawings, preparatory drawings for the Blue Catalogue and the pages of the Red Catalogue) for a total of more than four hundred images that contribute to telling the extraordinary story of the Venini company and light.

Marino Barovier, editor of the series ¿Le Stanze del Vetro¿, is considered one of the greatest experts of glass art.

A new publication in the series "Le Stanze del Vetro", a project for the study and enhancement of Venetian glassmaking in the 20th century, from a collaboration between the Fondazione Cini and Pentagram Stiftung. This volume accompanies the fall exhibition in Venice dedicated to the history of master glassmaker Muranesi Cappellin & C. (which Giacomo Cappellin founded after breaking with Paolo Venini and the V.S.M. Cappellin Venini & C.) to become one of the most important glass companies thanks also to its collaboration with a young architect, Carlo Scarpa. The vast production ranges from transparent glass to milky glass with gold, or glass paste and cased glass, or Phoenician decorations and figures, animals and plants; plus important lighting works. The entire output of Cappellin is documented (open from 1925 to 1931), placing the spotlight above all on the contribution of the major architect and glass designer Carlo Scarpa, his work during the 1920s and his relations with the arts. The book also discusses the production and exhibitions of Cappellin in Paris and the United States, relations established with artists in Turin and its very unique glass productions. Edited by Marino Barovier, this volume includes the catalogue of the complete works by Carlo Scarpa for Cappellin and is an indispensible tool for collectors, scholars and art dealers.