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This textbook provides a global, chronological mapping of significant areas of theatre, sketched from its deepest history in the evolution of our brain's 'inner theatre' to ancient, medieval, modern, and postmodern developments.
Among the most intriguing questions of neurology is how conceptions of good and evil arise in the human brain. This critical book explores the cosmic dimensions of the brain's inner theatre as revealed by neurology, cognitive science, evolutionary psychology, psychoanalysis, primatology and exemplary Western performances.
How do twentieth and twenty-first century artists bring forth the powerful reality of death when it exists in memory and lived experience as something that happens only to others? This volume shows both artist and critic grappling with the dilemma of showing how the aesthetics of death as absence is made meaningful in and by language.
Abonner på vårt nyhetsbrev og få rabatter og inspirasjon til din neste leseopplevelse.
Ved å abonnere godtar du vår personvernerklæring.