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  • av Marlene Kadar
    176

    Broken Fiction is a collection of short autofictional stories and poems that both offer solace and depict anguish at the collision of memory, loss, and grief. This kind of story-making negotiates a recognition and acceptance of hard truths without resorting to easy resolution.The pieces in this volume are playful and fierce. The narrator's willingness to give attention to where love works or goes wrong, or to the moments when suffering cannot be veiled by a positive attitude--even as the comic or absurd overwhelms the tragic and humiliating--takes us to places that inhabit both memory and fiction. Photographs break the fiction and pull the reader into the inevitable forces of time and loss and death.Broken Fiction invites readers to consider a way through--and sometimes around--illness and love, pain and joy, and gives a droplet of hope in nature's comedy of errors and coincidence.

  • av Susanna Egan & Marlene Kadar
    612,-

    The essays in Tracing the Autobiographical work with the literatures of several nations to reveal the intersections of broad agendas (for example, national ones) with the personal, the private, and the individual. Attending to ethics, exile, tyranny, and hope, the contributors listen for echoes and murmurs as well as authoritative declarations. They also watch for the appearance of auto/biography in unexpected places, tracing patterns from materials that have been left behind. Many of the essays return to the question of text or traces of text, demonstrating that the language of autobiography, as well as the textualized identities of individual persons, can be traced in multiple media and sometimes unlikely documents, each of which requires close textual examination. These unlikely documents include a deportation list, an art exhibit, reality TV, Web sites and chat rooms, architectural spaces, and government memos, as well as the more familiar literary genres a play, the long poem, or the short story. Interdisciplinary in scope and contemporary in outlook, Tracing the Autobiographical is a welcome addition to autobiography scholarship, focusing on non-traditional genres and on the importance of location and place in life writing. Read the chapter Gender, Nation, and Self-Narration: Three Generations of Dayan Women in Palestine/Israel by Bina Freiwald on the Concordia University Library Spectrum Research Repository website.

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