Bøker av Martha Ronk

Poetry that finds meaning and connection in the process of creating pottery from clay.   The poems in Clay look to the process of forming clay on a potter's wheel to examine our sense of touch and texture, emptiness, fragility, and the nature of time. Martha Ronk moves through the steps of creating a pot that must be formed, dried, bisque-fired, glazed, and fired again. This practice is paralleled in Ronk's process-oriented language that addresses how we read texture and color, the ways history and landscapes appear in glazes, Mimbres bowls that covered the faces of the dead, and Giorgio Morandi's still life paintings of ceramic forms. For Ronk, pottery raises questions about the value of repetition, inevitable failure, and how we may become one with matter. As the potter's hands ache and age, the bowl seems to age as it slumps or breaks. Clay includes observations from other potters and writers as well as small photographs of pots.

Poetic investigations of the distortions and discoveries of photography and sight

A collection from celebrated poet Martha Ronk considering the relationship between person, body, and place.  The Place One Is explores the intersection of person and place, the ways in which changes in the tangible world alter one‿s vision, bodily posture, vocabulary, and concern for‿to take one example‿the dwindling water supply in California. The body‿s position, its geometry, and the topography of the surrounding land become less and less recognizable as body and world blend together. Gravel giving way underfoot mirrors the way that words dissolve into mumbles, and the skeleton of a rusty car on the sand appears like one‿s own skeleton. Ronk shows that disintegration here is disintegration there. These poems also wonder at interdependence, considering how lines intersect and continue to connect us to the sea‿and to islands, lagoons, greenery, sky, and space.    In the first part of the collection, the poems focus on a rural landscape, and in the second part, they consider the overly bright urban world of Los Angeles.  Â

"The poems in the book attempt to locate the slippery presence of silence in paintings and photographs, in the absences of bird sound, in ruin, pauses, and grief, and in the opaqueness of others and oneself. They address both the destruction behind some kinds of silence and the revitalizing possibilities in silent contemplation"--

Transfer of Qualities addresses the uncanny and myriad ways in which people and things, but also people and those around them, exchange qualities with one another, moving in on, unsettling: altering stance, attitude, mood, gesture.

Why/Why Not presents a speaker caught in quandaries created by changing perspectives, fervors, and locales. Why do we act one way here and another there; why can't a mind stay made up; why do we hate and love at the same time; why does memory fade or insist; why does the ordinary seem so uncanny? These questions are captured in lines that collide and merge, in irreverent and offhand jibes, and in plaintive repetitions.Why/Why Not moves across a vivid terrain-the stage of Hamlet, Phillip Marlowe's Los Angeles, Prague, paintings and gardens-to push through a tangle of ways to make sense of the world. Martha Ronk's poetic language is that of the everyday slightly skewed, as if pieces of an ordinary sentence were missing. Ronk's poems use the repetitive and the banal to explore ways in which language is intertwined with thought and experience.