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Esteemed scholar and theater aficionado Marvin Carlson has seen an unsurpassed number of theatrical productions in his long and distinguished career. Ten Thousand Nights is a lively chronicle of a half-century of theatre-going, in which Carlson recalls one memorable production for each year from 1960 to 2010.
Examines recent and contemporary work by such groups as Rimini Protokoll, Societas Raffaelo Sanzio, the Gob Squad, Nature Theatre of Oklahoma, and Foundry Theatre, while revealing the deep antecedents of today's theater, placing it in useful historical perspective. While many may consider it a post-postmodern phenomenon, the "theater of the real", as it turns out, has very deep roots.
This comprehensively revised, illustrated edition discusses recent performance work and takes into consideration changes that have taken place in the study of performance since the book's original publication in 1996.
Presents an account of how language has been employed in the theater not simply as a means of communication, but as a stylistic device essential to theater's function. This book investigates the various 'levels' of language and their respective social implications.
Modern international studies of world theatre and drama have begun to acknowledge the Arab world only after the contributions of Asia, Africa and Latin America. Within the Arab world, the contributions of Algeria, Tunisia, and Morocco to modern drama and to post-colonial expression remain especially neglected, a problem that this book addresses.
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