Bøker av Mary Kay Rummel

"Poem after poem raised the hair on my arms. I was moved and inspired all the way through."- Marsha de la O, poet, author of CreaturesMary Kay Rummel grew up in St. Paul near the Mississippi and the corner where Montreal, Lexington and West Seventh meet near Highland Park. She was the first Poet Laureate of Ventura County, CA. Little River of Amazements: New and Selected Poems is her tenth published poetry book, her eighth full collection. Blue Light Press also published Nocturnes: Between Flesh and Stone, Cypher Garden, The Lifeline Trembles, as a winner of the 2014 Blue Light Press Award and What's Left is the Singing. This Body She's Entered, her first book, won the Minnesota Voices Award for poetry and was published by New Rivers Press in 1989. It was a finalist for the Minnesota Book Award. She was a recipient of a Loft Mentor award. Her work has appeared in numerous regional, national, and international literary journals and anthologies and has received several awards, including ten Pushcart nominations. She was a co-editor of Psalms of Cinder & Silt, a collection of community poems related to recent California wildfires published by Glenna Luschei at Solo Press. Her poems have been published in many journals and anthologies centered in both California and the Midwest including Water Stone Review, Alaska Quarterly Review, MiraMar, Anacapa Review, Gyroscope Review, Conestoga Zen, Pirene's Fountain, Salt, Askew, Spillway and as a frequent finalist for the Pablo Neruda Prize, in Nimrod.Mary Kay has read her poems in many venues in the US, England and Ireland and has been a featured reader at poetry festivals including in the Ojai Poetry Festival and San Luis Obisbo Poetry Fest. She has participated in numerous poetry residencies including Anderson House and Vermont Studio Center and performs poetry with musicians. She has collaborated with artists in the US and England, most recently at the Minnesota Center for Book Arts. A Professor Emerita from the University of Minnesota, Duluth, Mary Kay also taught at the University of Minnesota, Minneapolis, and at California State University, Channel Islands.She is a founding board member of the nonprofit Ventura County Poetry Project. She and her husband, Conrad (Tim), live in California and Minnesota, near children and grandchildren in both states. She can be contacted through email at marykayrummel.com

In this accomplished book, Mary Kay Rummel spins words into mysticism and magic. "Not to be ordinary," she was drawn into the convent where she was forbidden to read fiction because the Superior didn't like it. In "Patterns of Obedience," she writes that she was able to leave when "words whispered in that wind/telling her to go forth and read, to never ask again." Set free, she read and wrote and traveled, visiting early Irish history and myth. Throughout her book, bells chime in celebration as her words become exquisite lyric poems. -Jill Breckenridge, Poet, The Gravity of Flesh If you delight in plunging into an environment's sensual and emotional landscape; if you thrill to poetry that seduces and resonates; if you crave fresh language, intelligence, revelation and uncompromising risk, then What's Left Is The Singing-this miraculous confessional, this collection with its complexity of conflict and resolution, this sound-feast-will satisfy to the bone. Rummel's work allows us to feel how. . . light slips/through fingers into every fold of sky. -Ellen Reich, Poet, The Gynecic Papers When one reads the poems of Mary Kay Rummel, one expects a certain precision of language, a vigilant detail, a concentrated lyric whisper that elevates the ordinary life's ordinary aspirations. On these counts, What's Left Is The Singing does not disappoint. But these poems are also transformative. Here we find beauty that resists adoration, caution that armors raised fists, and belief that survives religion. Here we find metaphors for life's passion in the scapes of sand and tides and endless stars that shine through us. And if we don't find distraction from our ignorance, we do find elegant language touched with music and some blessings and a few reasons to go on. This is exactly what we ask from our poetry. -David Oliveira, Poet, A Little Travel Story; Editor, Mille Grazie Press

This is a book about story, the human experience, teaching and learning, creativity and community. The authors maintain that story in a broad and newly enlightened sense may help us to break out from the narrow concepts of literacy, content knowledge related to measureable standards, and random facts that are unrelated to dispositions for addressing human needs.