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  • av Matei Visniec
    279,-

    Mirroring Romania's drastic transition from totalitarianism to Western-style freedom in the late 1980s, Mr. K Released captures the disturbingly surreal feeling that many newly liberated prisoners face when they leave captivity. Employing his trademark playful absurdity, Matéi Visniec introduces us to Mr. K, a Kafkaesque figure who has been imprisoned for years for an undisclosed crime in a penitentiary with mysterious tunnels. One day, Mr. K finds himself unexpectedly released. Unable to comprehend his sudden liberation, he becomes traumatized by the realities of freedom--more so than the familiar trauma of captivity or imprisonment. In the hope of obtaining some clarification, Mr. K keeps waiting for an appointment with the prison governor, however, their meeting is constantly being delayed. During this endless process of waiting, Mr. K gets caught up in a clinical exploration of his physical surroundings. He does not have the courage or indeed inclination to leave, but can move unrestricted within the prison compound, charting endless series of absurd circles in which readers might paradoxically recognize themselves.

  • av Matei Visniec
    440,-

    Dramatist, poet, novelist, and journalist Matei Visniec, born in Romania and living in France since seeking political asylum in 1987, has been one of the most trenchant voices of Europe, condemning the atrocities of totalitarianism as well as excesses of consumer culture. This is an anthology of his dramatic work made available in English.

  • - Plays from Central and Eastern Europe
    av Matei Visniec
    187,-

    Balkan Plots: Plays From Central And Eastern EuropeIntroduced by Gina Landor This unique collection features four new plays about war, tyranny and discrimination by Eastern and Central European writers. Includes the plays: "The Body of a Woman as a battlefield in the Bosnian war" by Matei Visniec, "Cordon" by Nebojsa Romcevic, "When I want to whistle, I whistle..." by Andreea V¿lean and "Soap Opera" by György Spiró.The title of this volume alludes to the history of political double-dealing in a troubled region within southern Europe, surrounded by the Adriatic, Aegean and Black Seas. G.B. Shaw wrote "Arms and The Man" about a small Balkan plot in the 19th century. It's in this tradition, rather than in a geographical sense that we use the title "Balkan Plots". The plays in this volume are dramatic works which have emerged from, or which take as their subject matter, the struggle of individuals within societies affected by recent political upheaval. The writers explore aspects of freedom and rebellion, ethnicity and discrimination, loyalty and betrayal in situations where conventional attitudes and beliefs are severely tested. In some plays, the conflict is between traditional socialist attitudes and western capitalism. In others, the values and beliefs of the younger generation collide with and challenge those of the older generation. Within each of the plays, the way in which the personal and the political interacts, is very much in evidence. The PlaysThe Body of a Woman as a Battlefield in the Bosnian War by Matei Visniec, translated by Alison Sinclair: Two women meet in the aftermath of the Bosnian War. Both are struggling to find release from their inner battlefields."Incontestably one of the best, the most powerful plays of the Avignon Festival." La Gazette ProvencaleCordon by Nebojsa Romcevic, translated by Sladjana Vujovic: A group of Special Police in Belgrade incite a riot at a peaceful protest, maliciously beating a student. A harsh indictment of the brutality and corruption of the Milosevic regime. Banned throughout Yugoslavia. The film adaptation won the 2003 Montreal Film Festival.When I Want to Whistle, I Whistle... by Andreea V¿lean, translated by Cheryl Robson and Claudiu Trandafir: A female student visits a youth Detention Centre for a research project. Her interviewing of three young offenders has disastrous consequences for all involved.Soap Opera by György Spiró, translated by Andrew Bock: A salesman wants to sign a woman up for a Jewish reparations scheme. The play raises questions about Western methods of compensation for war crimes.

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