Bøker av Matthew Meyer

Rami, the Llama overhears his little girl tell her momma that Rami is her Travel Llama. Rami does not know what it means to be a travel llama but hopes to discover its meaning during their family vacation to Southern Spain. Follow along as Rami discovers beautiful locations and attempts to learn what being a travel llama is all about. As Rami and his family travel, he provides simple travel tips for children and interesting facts about some of the locations. Rami''s adventure does not end with the conclusion of his family''s vacation. Rami finds himself in a scary situation which in turn helps him to learn the true meaning of being a Travel Llama. Rami''s story is perfect for a first-time traveler or anyone who loves llamas. This is the first in a series of children''s travel and picture books featuring Rami and a group of Travel Llamas.

Often considered mere assemblages of aphorisms, the free spirit works - Human, All Too Human; Assorted Opinions and Maxims; The Wanderer and His Shadow; Daybreak; and The Gay Science - are here presented as a coherent narrative of Nietzsche's self-education. The book explores these works' role in Nietzsche's wider philosophy.

Nietzsche's work was shaped by his engagement with ancient Greek philosophy. Matthew Meyer analyzes Nietzsche's concepts of becoming and perspectivism and his alleged rejection of the principle of non-contradiction, and he traces these views back to the Heraclitean-Protagorean position that Plato and Aristotle critically analyze in the Theaetetus and Metaphysica IV, respectively. At the center of this Heraclitean-Protagorean position is a relational ontology in which everything exists and is what it is only in relation to something else. Meyer argues that this relational ontology is not only theoretically foundational for Nietzsche's philosophical project, in that it is the common element in Nietzsche's views on becoming, perspectivism, and the principle of non-contradiction, but also textually foundational, in that Nietzsche implicitly commits himself to such an ontology in raising the question of opposites at the beginning of both Human, All Too Human and Beyond Good and Evil.