Bøker av Maurizio Ascari

1944, Northern Italy. Antonio's life is shattered when he is deported to Germany as a forced labourer. Thereafter, his joys consist of small things: being able to breathe, to feel the plaster of a wall with his fingers, and the hope that perhaps, one day, he will return to his world. The book, partly in the form of letters and postcards, reconstructs that former world and is itself an act of commemoration...

Using silent cinema as a critical lens enables us to reassess Katherine Mansfield's entire literary career. Starting from the awareness that innovation in literature is often the outcome of hybridisation, this book discusses not only a single case study, but also the intermedia exchanges in which literary modernism at large is rooted.

This book takes a look at the evolution of crime fiction. Considering 'criminography' as a system of inter-related sub-genres, it explores the connections between modes of literature such as revenge tragedies, the gothic and anarchist fiction, while taking into account the influence of pseudo-sciences such as mesmerism and criminal anthropology.

In an age of world citizenship, literary scholarship is focusing increasingly on texts which communicate effectively over cultural lines. Advocating a planetary approach to contemporary literature, this critical text examines eight novels from eight cultures. The writers discussed are Julian Barnes, Magda Szabo, Abraham B. Yehoshua, Ian McEwan, W.G. Sebald, Murakami Haruki, Jonathan Safran Foer, and Azar Nafisi. Focusing on the authors' encouragement to meditate on life's most pressing issues, the essays here invite us to reevaluate postmodernism as a current category.