Bøker av Maxim Gorky

" ... a broad and generalized picture of life in Russia on the eve of the Revolution of 1905"--P. [4] of cover.

A small provincial Russian town is suddenly aroused from its lethargy by the imminent arrival of the first railroad. Gorky is less concerned here with the Industrial Revolution than with the damaging personal effect of people who represent progress; in this case, two engineers who come to prepare for the railroad and who sweep into the lives of all and sundry with the force of a gale, upsetting stalemated romances, stale marriages, and the equilibrium of the petty bureaucracy.

Alexei Maximovich Peshkov (28 March 1868 - 18 June 1936), primarily known as Maxim (Maksim) Gorky, was a Russian and Soviet writer, a founder of the socialist realism literary method and a political activist. Around fifteen years before success as a writer, he frequently changed jobs and roamed across the Russian Empire; these experiences would later influence his writing. Gorky's most famous works were The Lower Depths (1902), Twenty-six Men and a Girl, The Song of the Stormy Petrel, The Mother, Summerfolk and Children of the Sun. He had an association with fellow Russian writers Leo Tolstoy and Anton Chekhov; Gorky would later write his memoirs on both of them.(wikipedia.org)

Coloured by poverty and horrifying brutality, Gorky's childhood equipped him to understand - in a way denied to a Tolstoy or a Turgenev - the life of the ordinary Russian. After his father, a paperhanger and upholsterer, died of cholera, five-year-old Gorky was taken to live with his grandfather, a polecat-faced tyrant who would regularly beat him unconscious, and with his grandmother, a tender mountain of a woman and a wonderful storyteller, who would kneel beside their bed (with Gorky inside it pretending to be asleep) and give God her views on the day's happenings, down to the last fascinating details. She was, in fact, Gorky's closest friend and the epic heroine of a book swarming with characters and with the sensations of a curious and often frightened little boy. My Childhood, the first volume of Gorky's autobiographical trilogy, was in part an act of exorcism. It describes a life begun in the raw, remembered with extraordinary charm and poignancy and without bitterness. Of all Gorky's books this is the one that made him 'the father of Russian literature'.

I didn't read your books. I licked them, I rubbed them all over my naked body and licked them.Protasov, detached and idealistic, wants only to immerse himself in chemical experiments to perfect mankind. He's more or less oblivious to the voracious advances of the half-crazed widow Melaniya and his best friend's unrelenting pursuit of his wife, let alone the cholera epidemic and the starving mob at his gates. While Nanny fusses round, Protasov's admiring circle, variously skeptical, romantic and lovesick, spar over culture and the cosmos. Only Liza, neurotic and patronized, feels the suffering of the peasantry and senses that their own privileged world is in jeopardy.Gone? They're everywhere. Have you heard about the riots? The starvation and the flagrant disregard of authority. This disregard is building walls and barriers between us all. And they are massing. The crowds of angry people. And the hate... the hate between us all... kills everything.Written during the abortive Russian Revolution of 1905, Maxim Gorky's darkly comic Children of the Sun depicts the new middle-class, foolish perhaps but likeable, as they flounder around, philosophizing, yearning, or scuttling between test tubes, blind to their impending annihilation.This is Andrew Upton's fourth English version of a play for the National by one of the great Russian masters, including his acclaimed adaptation of Gorky's Philistines.

Mike Bartlett's savagely funny adaptation of Maxim Gorky's Vassa Zheleznova. It's 8 a.m. and a revolt is underway. The father is dying. The son is spying. The wife is cheating. The uncle is stealing. The mother is scheming. The dynasty is crumbling. One house. One fortune. One victor.

This antiquarian book contains Gorky Maxim's 1906 novel, "The Mother". It is a moving and thought-provoking narrative of the parallel between the evolution of one man's mother and the evolution of Mother Russia. Mother is uneducated and has been beaten in her life, and has a loving son who wants to protect her. The son is a revolutionary. As the mother starts to read and educate herself, she becomes close to the revolutionaries who frequent her house, and eventually risks it all to make Russia a better society. Alexei Maximovich Peshkov (1868 - 1936) was a Russian writer and political activist who founded the Socialist Realism literary method. This seminal book has since been translated into many languages and adapted for the screen numerous times. We are republishing this book now in an affordable, modern edition, complete with a new prefatory biography of the author.

Once an early supporter of the Bolsheviks, the author became disillusioned after the 1917 revolution and wrote a series of critical articles, analyses on the Russian national character, a condemnation of Bolshevik methods and a vision of the future. This is a collection of those articles.

Includes a selection of plays and non-dramatic writing by Gorky.

The original Shield was published in 1916 by the Russian Society for the Study of Jewish Life under the joint editorship of three eminent writers, Maxim Gorky, Leonid Andreyev, and Fyodor Sologub. In the words of William English Walling, "this is not merely a book about the Russian Jews. It is a marvellous revelation of the Russian soul." Nowadays The Shield is as timely as ever. As Pavel Milyukov, the founder of the Constitutional Democratic Party, says, anti-Semitism of the new type "is the product of the constitutional epoch. It is a response to the need for new means of influencing the masses."