Gjør som tusenvis av andre bokelskere
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Sarton's memoir begins with her roots in a Belgian childhood and describes her youth and education in Cambridge, Massachusetts, her coming-of-age years, and the people who influenced her life as a writer.
When Laura Spelman learns that she will not get well, she looks on this last illness as a journey during which she must reckon up her life, give up the nonessential, and concentrate on what she calls "the real connections."
The steady growth of May Sarton's following and critical importance in recent years has revealed a creative writer of remarkable scope-equally at home in three literary forms: fiction, autobiography, and poetry. It is in her poetry, however, where she achieves the full extent of her revelation as artist and human.
When Harriet Hatfield opens a bookstore for women in a blue-collar neighborhood near Boston, she is bombarded by anonymous threats. And when the Boston Globe reports "Lesbian Bookstore Owner Threatened", her education in the narrow-mindedness of her fellow man-and woman-begins.
In poems gathered into three sections under the titles "Letters from Maine," "A Winter Garland," and "Letters to Myself," Sarton's inspiration was a new, brief, and passionate love affair.
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Ved å abonnere godtar du vår personvernerklæring.