Bøker av Melinda A. Mills

In Street Harassment as Everyday Violence, Melinda A. Mills investigates women's experiences with street harassment, recognizing this phenomenon as a form of everyday violence. The author follows feminist scholars to consider the ways that silence can potentially, if only partially, protect women from verbally assaultive men who harass women in public. This violence both reveals and conceals itself in the discourses of silence about and during street harassment. It maps onto and reflects the web of violence that proves persistent and difficult to dismantle. This work operates as an initial intervention, by way of recognition of street harassment as a problem that hides in plain sight.

This book argues that Bruno Mars is uniquely positioned to borrow from his heritage and experiential knowledge as well as his musical talent, performative expertise, and hybrid identities (culturally, ethnically, and racially) to remix music that can create new music nostalgia. Melinda Mills attends to the ways that Mars is precariously positioned in relation to all of the racial and ethnic groups that constitute his known background and argues that this complexity serves him well in the contemporary moment. Engaging in the performative politics of blackness allows Mars to advocate for social justice by employing his artistic agency. Through his entertainment and the everyday practice of joy, Mars models a way of moving through the world that counters its harsh realities. Through his music and perfomance, Mars provides a way for a reconceptualization of race and a reimagining of the future.