Bøker av Michael Bruce

Elis Hawkins was the poster child of the Alliance Navy. Top of his class in command school, accolades, and a swift promotion were all his, but all that changed when the Orion, flagship of the Alliance fleet, crashed into the Pacific Ocean on its return home from its maiden voyage to the Centauri star system. Facing accusations of crimes against humanity and with overwhelming evidence stacked against him, he must endure a court-martial hearing and try to convince the Alliance brass of his innocence. The mission was top secret, but all secrets will come out as Elis urgently gives the Centauri Report before Earth's time runs out.

Some people say that "gay" people are born that way; it's in their genes. Some people say it's because of an overbearing or absent father. Others blame a dominating mother, or being dressed as the opposite sex as a child. What about emotional issues like abuse, trauma, or rejection? What do you think? This book is a true story of a lonely boy, growing up. His mother died and he spent ten years in boarding school. By age sixteen, he realised he was "gay". After several one-sided relationships, he met someone and shared mutual affection. They lived together as a couple. This story could have ended: "And they both lived happily ever after." Then God showed up! Both guys became Christians the same day. Would anything change?

The definitive guide to writing music for the stage, by the Composer-in-Residence at the Donmar Warehouse.Music has played a vital part in drama since the earliest days of theatre. For composers, writing music for the stage is an opportunity to exercise their utmost creativity and versatility: a good musical score will both support and enhance the play it serves, and can lift a prosaic moment into something quite extraordinary.In this book, Michael Bruce takes you through the entire process - from initial preparation, through composition, rehearsals and recording, and finally to performance. He covers everything a composer needs to know, including:Getting started - spotting when and how music might be used in a play, doing research, considering form and contentBuilding a 'sound world' - finding and using source music, creating incidental music, choosing the best instrumentation, scoring, utilising technology, writing music to accompany song lyricsWorking on the production - understanding the composer's role in rehearsals, collaborating with key creatives, employing actor-musicians, getting the show onRecording - knowing when to record, booking and working with musicians - and the studio engineer, running a recording sessionAlso included is key practical advice on how to get work as a theatre composer and build your career.Throughout the book, the author draws on his own experience of creating music for a wide variety of plays at the Donmar Warehouse, the National Theatre, in the West End and on Broadway, including detailed case studies of his work on The Recruiting Officer, Coriolanus, Privacy, The Winslow Boy, Noises Off and Strange Interlude, illustrated by online recordings from his scores.An essential companion for all composers - amateur, student or professional - Writing Music for the Stage is also invaluable reading for other theatre professionals, including directors, playwrights, producers, actors, designers and sound designers - in fact, for anyone seeking to understand how music helps to create worlds and tell stories on stage.