Bøker av Michael Newton

Featuring seven case histories of real people who were regressed into their lives between lives, this text discusses the mystery of life in the herafter.

Journey of Souls by Michael Newton is a captivating exploration into the mysteries of life after death. Published by Llewellyn Publications, U.S. in 2002, this book delves into the spiritual genre with an intriguing perspective. Newton, a renowned hypnotherapist, takes readers on an extraordinary journey as he uncovers the mysteries of the spirit world. The book is a collection of actual case studies of his clients who, under hypnosis, have recounted their experiences between lives. These personal narratives reveal a fascinating world where souls rest, learn, and plan their next life. Journey of Souls is a thought-provoking read that challenges conventional wisdom about the afterlife. It provides hope, comfort, and unexpected answers to life's biggest questions. It's a must-read for those seeking understanding and enlightenment about the journey of the soul.

The founder of the Society of Spiritual Regression provides a guide for hypnotherapists and the general public to access the spiritual world.

Includes case studies that highlight the profound impact of spiritual regression on people's everyday lives.

Historical in scope, this collection chronicles 15 of the world's most infamous "extreme killers"--those with the largest number of confirmed kills. The subjects range from 15th-century French child killer Gilles de Rais, purportedly the model for "Bluebeard," to Henry Lee Lucas and Otis Toole, who inspired the film Henry: Portrait of a Serial Killer, to Samuel Little, America's most prolific serial killer, to Mikhail Popkov, dubbed "The Werewolf" by Russian media for having slain more than 70 women.

Frank Capra's It's a Wonderful Life is one of the best-loved films of Classical Hollywood cinema, a story of despair and redemption in the aftermath of war that is one of the central movies of the 1940s, and a key text in America's understanding of itself. This is a film that remains relevant to our own anxieties and yearnings, to all the contradictions of ordinary life, while also enacting for us the quintessence of the classic Hollywood aesthetic. Nostalgia, humour, and a tough resilience weave themselves through this movie, intertwining it with the fraught cultural moment of the end of World War II that saw its birth. It offers a still compelling merging of fantasy and realism that was utterly unique when it was first released, and has rarely been matched since. Michael Newton's study of the film investigates the source of its extraordinary power and its long-lasting impact. He begins by introducing the key figures in the movie's production - notably director Frank Capra and star James Stewart - and traces the making of the film, and then provides a brief synopsis of the film, considering its aesthetic processes and procedures, touching on all those things that make it such an astonishing film. Newton's careful analysis explores all those aspects of the film that are fundamental to our understanding of it, particularly the way in which the film brings tragedy and comedy together. Finally, Newton tells the story of the film's reception and afterlife, accounting for its initial relative failure and its subsequent immense popularity.

JOURNEY TO THE KILLING GROUND It was an age of innocence -- an era of carhops, poodle skirts, and hula hoops. It was also a time of terror. In 1958, a man named Harvey Glatman sped along the Santa Ana freeway out of L.A., headed to the desert with his "date" huddled in the passenger seat beside him. In his pockets Harvey had a gun and a length of rope. Drunk on power, arousal, and rage, Harvey also had a plan. And beneath the desert stars, by the light of the moon, he carried out his ordeal of unimaginable cruelty -- using his body, a camera, and his rope.... Months later, after one of his inhuman attacks went awry, Harvey's torture killings were described to a shocked and silent California courtroom. For decades, these infamous deeds would inspire television and movie plots. But until now, there has been no definitive account of the forces that drove one of America's most legendary serial killers. And never before has it been explained why, for Harvey Glatman, his crimes weren't about killing, raping, and torturing at all -- they were all about the rope.

Regal the Bald Eagle was going fishing with his dad for the very first time. He was a little nervous, but knew that he was learning from the very best. After seeing his dad dive and quickly catch a fish, Regal thought it looked easy. That was until he had to try it himself. Day after day, he was disappointed as he failed to catch a fish. He felt like a failure. Would he ever get the hang of it?

Between 1933 and 1939, the FBI pursued an aggressive, highly publicized nationwide campaign against a succession of Depression era 'public enemies.' This historical analysis reveals the agency's often illegal tactics, including torture, frame-ups, and summary executions.

Largely forgotten now, Frankie Yale was an influential New York mobster of the early 20th century whose proteges included future leaders of New York's five Mafia families and Chicago's outfit. Despite Yale's prominence during his life, this is the first biography to survey his life and career.

Umberto Anastasio, better known as Albert Anastasia, was an Italian-American mobster and hitman who became one of the deadliest criminals in American history. This first-ever book-length biography of Anastasia traces the mobster's life and the ripple effects his career had on the American crime world.

Book No. 7 of The Bureau, Crimes of Honor, follows the surviving protagonists through the tumultuous years between 1965 and 1973. The civil rights movement expands and urban ghettos burn through "long hot summers," while the war in Southeast Asia escalates with corresponding protests in America. The FBI inaugurates new extralegal operations labeled COINTELPRO-BLACK HATE and COINTELPRO-NEW LEFT, attacking any groups and individuals who fail to meet Chief Hoover's definition of "true Americans." More high-profile assassinations rock the nation and Lyndon Johnson withdraws from the next presidential campaign, succeeded by Richard Nixon awash in Syndicate money. Once in office, Nixon heaps new fuel onto the fire in Vietnam and brings the war home, wielding lethal force against campus protesters. Black Panthers, Weathermen, and other radicals respond in kind. Ryan O'Hara joins the FBI, while his father is forced from the Bureau by Hoover. The director's death in 1972 permits Erin O'Hara to become one of the first female FBI recruits since 1924, entering the academy as burglars expose the Bureau's COINTELPRO operations and the Nixon White House lurches into Watergate. Dominic Giordano seeks to lead his Mafia family in new directions, at risk of his life. The era ends in scandal and dissension, verging on America's first resignation of a president.

Book VI of The Bureau-In Honor's Name-spans events from January 1956 through publication of the Warren Report on President John Kennedy's assassination, encompassing: the Black civil rights movement and southern resistance by organized terror, plus the Hungarian rebellion and escalating warfare in Southeast Asia, the election of America's first Roman Catholic president and his Attorney General brother's campaign against organized crime, the Bay of Pigs invasion and the Cuban missile crisis, JFK's assassination in Dallas and suppression of its conspiratorial details. Robert Kennedy's resignation as Attorney General ends the "Camelot" era, while the Gulf of Tonkin incident propels America toward full-scale military involvement in Vietnam. Series protagonists confront unexpected challenges, none of them emerging unscathed, costing some of them their lives. Their children grow, pursuing various careers in law enforcement or the realm of crime, some undergoing transformations that divert the courses of their lives forever.

Book No. 8 of The Bureau, Price of Honor, follows the surviving protagonists through the turbulent years between 1974 and 1983. For the FBI and NYPD's BOSS, pursuit of black militants and white radicals continues, sometimes with fatal results.President Nixon resigns in disgrace, while revelations made in recent years prompt formation of multiple congressional committees probing illegal acts by both the FBI and CIA. Despite cancelation of COINTELPRO before Hoover's death, the Bureau still pursues lawless tactics against perceived subversives, including a new Indian War of sorts against Native American activists.The Vietnam war ends in communist triumph, while two single-term presidents seek to salvage America's image on a global scale. A new grassroots demand for "law and order" at home, with greater security abroad, propels Ronald Reagan into the White House and toward a new would-be assassin's gunsights. Nolan O'Hara leaves the Bureau to cooperate with Senate investigators, while the CIA cleans house of all possible living embarrassments.New frontiers of conflict open in Latin America and the Caribbean.

On the eve of his hotly contested reelection campaign in Cascade County, Oregon, Sheriff Jason Pruett finds himself in the midst of an unprecedented crime wave. The richest man in town has been murdered, his neck broken my someone-or something-with extremely large, powerful hands. Sheriff Pruett races against time to find the killer(s), while the victim's company-Paul Bunyan Logging-faces violent opposition from radical environmentalists and a Native American tribe bent on preserving their homeland's virgin forest at all costs. A tribal shaman claims that he has conjured Omah, a vengeful nature spirit better known to Cascade County's white inhabitants as Sasquatch or Bigfoot. Sheriff Pruett is a skeptic, but as mayhem escalates around him, claiming other lives, he must follow every lead available to solve the crime and restore order.Hopsquatch is a modern mystery set against the background of Amerindian legend, cryptozoology (the search for "hidden" animals), and clashes mirroring real-life headlines from the rural battlegrounds where tradition stands against the march of "progress," often with explosive results.

Set in the years 1925 to early 1933, the novel tracks O'Hara, Gantt, Tolson, Sawyer and Jordan through new trials and tribulations. The rift between old friends Declan O'Hara and Aloysius Gantt deepens, with O'Hara pursuing criminal cases from the nation's capital to Oklahoma and New Jersey, while Gantt defends his ties to Edgar Hoover against recent newcomer Clyde Tolson. Third classmate Greg Jordan, now attorney and consiglieri for his brothers' crime family in New York City, finds himself in the midst of the Mafia's bloody Castellammarese War, forced to take violent personal action in defense of his loved ones. Isaac Sawyer, cashiered from the Bureau of Investigation for the color of his skin in 1924, makes his mark with the Treasury Department's Prohibition Unit, then transfers to the fledgling Federal Bureau of Narcotics when President Herbert Hoover shifts Prohibition enforcement to Justice, back under Edgar Hoover's thumb. The FBN's mission takes him from Manhattan's Chinatown to Texas in pursuit of dangerous drug smugglers. The sudden death of Thomas Walsh, named as the next U.S. Attorney General, rescues Edgar Hoover from enforced retirement, while prompting Declan O'Hara to wonder if there might be more behind that death than just an unexpected heart attack.

In 1917, three law school graduates are on their way to register for the draft in World War I. En route to the recruiting office, they meet classmate J. Edgar Hoover, who invites them all to join him in the U.S. Department of Justice, thereby serving their country without facing death in the trenches. Two-Aloysius Gantt and Declan O'Hara-agree, while the third, Gregory Jordan, goes on to join the U.S. Marines.On the home front, Gantt and O'Hara join in roundups of suspected draft dodgers and later, while Jordan is hospitalized for wounds suffered at Belleau Wood, they follow Hoover's lead into the Palmer raids, deporting alleged alien radicals to Russia.

In Book V of The Bureau-Code of Honor-a grim "Cold War" settles in to replace the recent global conflagration, spawning a Red Scare at home and abroad surpassing the postwar paranoia of 1919-20. Declan O'Hara returns to FBI headquarters from service in Latin America, to find Aloysius Gantt still striving to curry J. Edgar Hoover's favor. Devon Gantt serves the Bureau in Los Angeles until he, too, is recalled to Washington at the peak of the Red-hunting 1950s. Richard Nixon and Joseph McCarthy leave their indelible marks on a country afraid of its own lurking shadows. When President Truman dissolves the wartime OSS, Colby Gantt transfers to its successor, the Central Intelligence Agency, joining in subversion of "dangerous" governments abroad. Ike Sawyer nears mandatory retirement age at the Federal Bureau of Narcotics, but remains determined to make his last years on the job count for something, while son Payton joins the New York City Police Department, beginning a career that parallels his father's early war against black "radicals." As the USSR goes through traumatic changes, climaxed with the death of Joseph Stalin, Leonid Babin pursues his campaign to raise a son who will become a sleeper agent in America and infiltrate the FBI, destroying it from within. Their courses converge during conflicts in Korea and Indochina, while Greg Jordan and his Syndicate associates plant their flags in Cuba, launching a new age of gambling and drug smuggling into the United States, with incipient warfare brewing inside Cosa Nostra.¿

In Book IV of The Bureau-Honor and Glory-global war sets Earth ablaze. Declan O'Hara is assigned to the FBI's new Special Intelligence Service in Latin America, while his son Nolan joins the U.S. Marine Corps and distinguishes himself in the Pacific Theater. Aloysius Gantt chafes at his headquarters assignment, while evidence of his possible involvement in the death of Senator Thomas Walsh accumulates. Greg Jordan continues his role as counselor for the Giordano crime family, steering his brothers through a minefield of criminal cases involving the National Crime Syndicate and "Murder Incorporated." Ike Sawyer continues his work for the Federal Bureau of Narcotics, exacerbated by new legislation, hysteria over "demon weed," and the war's proliferation of narcotics smuggling. The U.S. Navy's "Operation Underworld" secures Lucky Luciano's release from prison and he soon returns to Cuba, directing Syndicate affairs. In the Soviet Union, Leonid Babin pursues his vendetta against the FBI while struggling to survive both World War Two and ongoing purges in Moscow.

Offers an overview of Scottish Highland culture and history, exploring such topics as folklore, literature, social organization, ethnic identity, and the role of language. This work is suitable for those interested in the Gaelic world.

Since 1866 the Ku Klux Klan has been a significant force in Mississippi, enduring repeated cycles of expansion and decline. This work presents the history of the KKK in Mississippi, long recognized as one of the group's most militant and violent realms.

Rosemary's Baby is one of the greatest movies of the late 1960s and one of the best of all horror movies, an outstanding modern Gothic tale. An art-house fable and an elegant popular entertainment, it finds its home on the cusp between a cinema of sentiment and one of sensation. Michael Newton's study of the film traces its development at a time when Hollywood stood poised between the old world and the new, its dominance threatened by the rise of TV and cultural change, and the roles played variously by super producer Robert Evans, the film's producer William Castle, director Polanski and its stars including Mia Farrow and John Cassavetes. Newton's close textual analysis explores the film's meanings and resonances, and, looking beyond the film itself, he examines its reception and cultural impact, and its afterlife, in which Rosemary's Baby has become linked with the terrible murder of Polanski's wife and unborn child by members of the Manson cult, and with controversies surrounding the director. Rosemary's Baby is one of the greatest movies of the late 1960s and one of the best of all horror movies, an outstanding modern Gothic tale. An art-house fable and an elegant popular entertainment, it finds its home on the cusp between a cinema of sentiment and one of sensation. Michael Newton's study of the film traces its development at a time when Hollywood stood poised between the old world and the new, its dominance threatened by the rise of TV and cultural change, and the roles played variously by super producer Robert Evans, the film's producer William Castle, director Polanski and its stars including Mia Farrow and John Cassavetes.Newton's close textual analysis explores the film's meanings and resonances, and, looking beyond the film itself, he examines its reception and cultural impact, and its afterlife, in which Rosemary's Baby has become linked with the terrible murder of Polanski's wife and unborn child by members of the Manson cult, and with controversies surrounding the director.