Bøker av Michael Richardson

The true story of the criminal case against Marcus Garvey as told in confidential Bureau of Investigation files and from the pages of Negro World. Peer inside the Universal Negro Improvement Association through reports of undercover agents which revealed the rivalry, jealousy, greed, and incompetence that sunk the Black Star Line shipping company and halted Garvey's back-to-Africa campaign. The world's most famous black nationalist icon was marred by charges of hypocrisy and opportunism after he praised the Ku Klux Klan and became a leading purveyor of skin bleach and hair straightener advertisements in the pages of his weekly newspaper. Suspected of ordering the murder of two rivals, Garvey was convicted of a single count of fraud in the engrossing story of oratorical supremacy, racial division, outlandish claims, and shifting ideology in a maelstrom of events that would shape Twentieth Century history and assure lasting fame for Jamaica's first National Hero.

A child's body has been found, and then there's another body. Both found in the same place.And then there's a murder but this time someone's claiming it. But not just claiming it he wants to play a game, a game you have to play and win or someone dies..This has driven the entire plant city police department into a complete frenzy. and now detective mike Perry and his long time friend partner has to figure things out before things get to far out of hand....Or are they already to late ?

This selection of Bataille's work recognizes the full breadth of his contribution as a key thinker in debates on modernity and postmodernity, to critical theory, and as a major influence on Foucault, Derrida and Baudrillard.

This is the first book in English to look at Bataille's work as a whole, exploring its influence in France, the UK and the US, where it has often been associated with the rise of post-structuralism and postmodernism. Bataille's complex philosophy examined the interplay of death and eroticism.

Surrealism has been recognised as having made a major contribution to film theory and practice, and many contemporary film-makers acknowledge its influence. This book charts the history of surrealist film-making in both Europe and Hollywood. It is suitable for those interested in surrealist ideas, and art and the history of film.