Bøker av Michael Talbot

'There is evidence to suggest that our world and everything in it - from snowflakes to maple trees to falling stars and spinning electrons - are only ghostly images, projections from a level of reality literally beyond both space and time.'

These essays examine the music of Venice in its last great period, spanning the period from the second half of the 17th century to the fall of the Republic in 1797. They cover institutions, personalities and composers and musicians.

Written from the perspective of a professional baroque flautist and recorder-player, this book aims to shed light on the array of sizes and tunings of the recorder and transverse flute families as they relate to Antonio Vivaldi's compositions. It also includes a discussion of the much-disputed chronology of Vivaldi's works.

An account of how quantum physics is putting forward ideas that confirm the perceived beliefs of mystics who think the world is an illusion